圖書標籤: Jameson realism; 馬剋思主義 Fredric_Jameson 文論 英文版 文學種種 文學理論
发表于2024-12-23
The Antinomies Of Realism pdf epub mobi txt 電子書 下載 2024
"Antinomies of Realism" is Jameson's major study of the nineteenth-century realist novel from a comparative perspective, covering the major literary traditions of Western Europe and the United States. It reviews the most influential theories of artistic and literary realism--and takes an approach based on the social and historical preconditions for its emergence. These combine an attention to the body and its states of feeling as well as to the categories of individualism and temporality (or history). They are studied in a range of major authors, including Zola, Tolstoy, Perez Galdos, and George Eliot.
The very notion of such a synthesis or symbiosis implies the approach of a moment in which its two basic impulses begin again to separate, and this explains the gradual supersession of classical realism in the novel by the various forms of what we call modernism. A coda then explains the survival of "realistic" narratives after the end of classical realism--it is in effect a proposal for the study of popular fiction and mass culture.
Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has over the last three decades developed a richly nuanced vision of Western culture’s relation to political economy. He was a recipient of the 2008 Holberg International Memorial Prize. He is the author of many books, including Postmodernism, Or, The Cultural Logic of Late Capitalism; The Cultural Turn; A Singular Modernity; The Modernist Papers; Archaeologies of the Future; Brecht and Method; Ideologies of Theory; Valences of the Dialectic; The Hegel Variations; and Representing Capital.
The Antinomies of Realism is a history ofthe nineteenth-century realist novel and its legacy told without a glimmer of nostalgia for artistic achievements that the movement of history makes it impossible to recreate. The works of Zola, Tolstoy, Pérez Galdós, and George Eliot are in the most profound sense inimitable, yet continue to dominate the novel form to this day. Novels to emerge since struggle to reconcile the social conditions of their own creation with the history of this mode of writing: the so-called modernist novel is one attempted solution to this conflict, as is the ever-more impoverished variety of commercial narratives – what today’s book reviewers dub “serious novels,” which are an attempt at the impossible endeavor to roll back the past.
Fredric Jameson examines the most influential theories of artistic and literary realism, approaching the subject himself in terms of the social and historical preconditions for realism’s emergence. The realist novel combined an attention to the body and its states of feeling with a focus on the quest for individual realization within the confines of history.
In contemporary writing, other forms of representation – for which the term “postmodern” is too glib – have become visible: for example, in the historical fiction of Hilary Mantel or the stylistic plurality of David Mitchell’s novels. Contemporary fiction is shown to be conducting startling experiments in the representation of new realities of a global social totality, modern technological warfare, and historical developments that, although they saturate every corner of our lives, only become apparent on rare occasions and by way of the strangest formal and artistic devices.
In a coda, Jameson explains how “realistic” narratives survived the end of classical realism. In effect, he provides an argument for the serious study of popular fiction and mass culture that transcends lazy journalism and the easy platitudes of recent cultural studies.
“Manifestly displays Jameson’s many virtues as a truly great critic ... It is not always easy to read the work of someone who just won’t sit on his laurels: but in this case it is worth it.” —Robert Eaglestone, Times Higher Education
“This latest installment in his epic ‘poetics of social form’ is vintage Jameson: no other critic has his range of reference in literature and theory, and no one dialecticizes their connections to politics and history with anything like his transformative energy. Not since Auerbach has ‘realism’ been so penetratingly analyzed or so radically rethought. With many surprises along the way – such as the new centrality Jameson affords ‘affect’ in the realist novel – the results are absolutely stunning.” —Hal Foster, Princeton University
“Admirable ... Jameson thinks dialectically in the strong sense, in the way we are all supposed to think but almost no one does.” —Michael Wood, London Review of Books
鬼知道這兩周我經曆瞭什麼。。。讀這本書還是有些傷感,科幻小說成為曆史的選擇。。為傳統文學默哀13秒
評分recit與roman的對立,tell和show的對立——命運與永恒當下(身體性)的對立,named emotion和affect的對立,試圖拋棄既定的語言概念框架而描述一種實感(因此也藉助身體的感覺),類型與描寫的此消彼長形成瞭現實主義小說——其自身也成為一種類型,並形成成長小說、曆史小說、通奸小說(無可置身的女性)、自然小說(市民階級對倒退迴小資産階級乃至無産階級的恐懼或惆悵)等子類型。現實主義是不純粹的兩極的共存,如同小客體a是不可完全把握的。melodrama是一種戲劇性,是對“結局”的信仰。隨著個人主義的消退與大眾文化的興起則有瞭後現代。emotion與affect皆退去則形成瞭minimalism。現代主義變成係統的工具,現實主義則存在於大眾文化中。科幻小說、電視劇、電影是新希望
評分迴頭要補個書評之類的。。
評分老詹的東西一如繼往地拗口難懂。照他看來,科幻小說就是未來現實主義的新希望瞭。
評分現實主義及其實現是一種實現與消解的不斷滑動過程,是一種對於多元現實和日常的不斷徵服的過程,是一種釋放社會進步潛力的曆史過程,是一種純粹敘述與描述衝動的共生過程。
2010年的《辩证法之价》《黑格尔的变奏:精神现象学》,2011年的《重述《资本论》:对第一卷的解读》,2013年的这本新书,詹姆逊回归了他的本专业,文学与文化研究。对一个经典的命题:现实主义小说进行了自己的重新思考。 《现实主义的矛盾》是19世纪现实主义小说的历史,在...
評分2010年的《辩证法之价》《黑格尔的变奏:精神现象学》,2011年的《重述《资本论》:对第一卷的解读》,2013年的这本新书,詹姆逊回归了他的本专业,文学与文化研究。对一个经典的命题:现实主义小说进行了自己的重新思考。 《现实主义的矛盾》是19世纪现实主义小说的历史,在...
評分2010年的《辩证法之价》《黑格尔的变奏:精神现象学》,2011年的《重述《资本论》:对第一卷的解读》,2013年的这本新书,詹姆逊回归了他的本专业,文学与文化研究。对一个经典的命题:现实主义小说进行了自己的重新思考。 《现实主义的矛盾》是19世纪现实主义小说的历史,在...
評分2010年的《辩证法之价》《黑格尔的变奏:精神现象学》,2011年的《重述《资本论》:对第一卷的解读》,2013年的这本新书,詹姆逊回归了他的本专业,文学与文化研究。对一个经典的命题:现实主义小说进行了自己的重新思考。 《现实主义的矛盾》是19世纪现实主义小说的历史,在...
評分2010年的《辩证法之价》《黑格尔的变奏:精神现象学》,2011年的《重述《资本论》:对第一卷的解读》,2013年的这本新书,詹姆逊回归了他的本专业,文学与文化研究。对一个经典的命题:现实主义小说进行了自己的重新思考。 《现实主义的矛盾》是19世纪现实主义小说的历史,在...
The Antinomies Of Realism pdf epub mobi txt 電子書 下載 2024