Hoot

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出版者:Macmillan Children's Books
作者:Carl Hiaasen
出品人:
页数:288 页
译者:
出版时间:2006年04月
价格:65.00
装帧:平装
isbn号码:9780330445436
丛书系列:
图书标签:
  • 动物
  • 友谊
  • 成长
  • 冒险
  • 悬疑
  • 自然
  • 校园
  • 鸟类
  • 环境保护
  • 家庭
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具体描述

Unfortunately, Roy’s first acquaintance in Florida is Dana Matherson, a well-known bully. Then again, if Dana hadn’t been sinking his thumbs into Roy’s temples and mashing his face against the school-bus window, Roy might never have spotted the running boy. And the running boy is intriguing: he was running away from the school bus, carried no books, and–here’s the odd part–wore no shoes. Sensing a mystery, Roy sets himself on the boy’s trail. The chase introduces him to potty-trained alligators, a fake-fart champion, some burrowing owls, a renegade eco-avenger, and several extremely poisonous snakes with unnaturally sparkling tails.

Roy has most definitely arrived in Carl Hiaasen’s Florida.

Roy Eberhardt is the new kid--again. This time around it's Trace Middle School in humid Coconut Grove, Florida. But it's still the same old routine: table by himself at lunch, no real friends, and thick-headed bullies like Dana Matherson pushing him around. But if it wasn't for Dana Matherson mashing his face against the school bus window that one day, he might never have seen the tow-headed running boy. And if he had never seen the running boy, he might never have met tall, tough, bully-beating Beatrice. And if he had never met Beatrice, he might never have discovered the burrowing owls living in the lot on the corner of East Oriole Avenue. And if he had never discovered the owls, he probably would have missed out on the adventure of a lifetime. Apparently, bullies do serve a greater purpose in the scope of the universe. Because if it wasn't for Dana Matherson...

In his first novel for a younger audience, Carl Hiaasen (Basket Case, etc.) plunges readers right into the middle of an ecological mystery, made up of endangered miniature owls, the Mother Paula's All-American Pancake House scheduled to be built over their burrows, and the owls' unlikely allies--three middle school kids determined to beat the screwed-up adult system. Hiaasen's tongue is firmly in cheek as he successfully cuts his slapstick sense of humor down to kid-size. Sure to be a hoot, er, hit with middle school mystery fans. (Ages 10 to 15)

                          --Jennifer Hubert

With a Florida setting and proenvironment, antidevelopment message, Hiaasen (Sick Puppy) returns to familiar turf for his first novel for young readers. Characteristically quirky characters and comic twists will surely gain the author new fans, though their attention may wander during his narrative's intermittently protracted focus on several adults, among them a policeman and the manager of a construction site for a new franchise of a pancake restaurant chain. Both men are on a quest to discover who is sabotaging the site at night, including such pranks as uprooting survey stakes, spray-painting the police cruiser's windows while the officer sleeps within and filling the portable potties with alligators. The story's most intriguing character is the boy behind the mischief, a runaway on a mission to protect the miniature owls that live in burrows underneath the site. Roy, who has recently moved to Florida from Montana, befriends the homeless boy (nicknamed Mullet Fingers) and takes up his cause, as does the runaway's stepsister. Though readers will have few doubts about the success of the kids' campaign, several suspenseful scenes build to the denouement involving the sitcom-like unraveling of a muckity-muck at the pancake house. These, along with dollops of humor, help make the novel quite a hoot indeed. Ages 10-up.

Grade 6-9-Packed with quirky characters and improbable plot twists, Hiaasen's first novel for young readers is entertaining but ultimately not very memorable. Fans of the author's adult novels will find trademark elements-including environmental destruction, corrupt politicians, humorous situations, and a Florida setting-all viewed through the eyes of a middle-school student. Roy Eberhardt has just moved with his family to Coconut Cove. He immediately becomes the target of a particularly dense bully who tries to strangle him on the school bus. Roy seems more concerned, however, with discovering the identity of a running, barefoot boy he spots through the window of the bus. Meanwhile, plans to build a pancake house on a vacant lot are derailed when someone vandalizes the construction site. The two story lines come together when Roy discovers that the runaway boy is disrupting the construction to save a group of burrowing owls. Roy must help his new friend, nicknamed Mullet Fingers, as well as fend off the bully and adapt to life in Florida. The story is silly at times but rarely laugh-out-loud funny, and there are several highly unlikely scenes. Also, it wraps up a little too neatly-Roy's classmates join him to protest the construction project, his father finds the missing environmental impact report, and the owls are saved. While Roy is a sympathetic protagonist, few of the other characters are well developed. Students looking for humorous, offbeat characters and situations will probably prefer Louis Sachar's Holes (Farrar, 1998) or books by Daniel Pinkwater.

                           Miranda Doyle, San Francisco Public Library

Gr. 5-8. It seems unlikely that the master of noir-tinged, surrealistic black humor would write a novel for young readers. And, yet, there has always been something delightfully juvenile about Hiaasen's imagination; beneath the bent cynicism lurks a distinctly 12-year-old cackle. In this thoroughly engaging tale of how middle-schooler Roy Eberhardt, new kid in Coconut Cove, learns to love South Florida, Hiaasen lets his inner kid run rampant, both the subversive side that loves to see grown-ups make fools of themselves and the righteously indignant side, appalled at the mess being made of our planet. When Roy teams up with some classic children's lit outsiders to save the home of some tiny burrowing owls, the stage is set for a confrontation between right-thinking kids and slow-witted, wrongheaded civic boosters. But Hiaasen never lets the formula get in his way; the story is full of offbeat humor, buffoonish yet charming supporting characters, and genuinely touching scenes of children enjoying the wildness of nature. He deserves a warm welcome into children's publishing.

                             Bill Ott

The loneliness of being the new kid in town, a mysterious boy, bullies of all ages, and protected miniature owls make for some familiar high jinks in Hiaasen's first novel for young readers. Someone has been sabotaging the site of Mother Paula's All-American Pancake House. Survey stakes get uprooted, alligators swim in Porta Potties, and water moccasins terrorize four rottweilers from hell. Chad Lowe narrates, as Roy Eberhardt, newly arrived in Florida from Montana, makes it his mission to save the owls. Lowe does wonders with the cast of mostly likable oddballs. We know how it will end, but in his inimitable fashion, Hiaasen has crafted a delicious screwball comedy for all ages--and Chad Lowe's performance is a hoot. S.J.H.

Roy, who is new to his small Florida community, becomes involved in another boy's attempt to save a colony of burrowing owls from a proposed construction site.

length: (cm)19.7                 width:(cm)12.8

这是一部关于寻找自我的成长小说,故事发生在一个宁静却暗流涌动的小镇。主人公艾莉,一个在成长烦恼中挣扎的十四岁女孩,总觉得自己格格不入,像一只夜色中孤独的猫头鹰,在人群中找不到自己的位置。她敏感、内敛,内心世界丰富而细腻,却常常因为不善于表达而显得笨拙和疏离。 故事的开端,艾莉刚刚搬到一个陌生的城市,新的学校、新的邻居,一切都让她感到茫然和不安。她曾经熟悉的朋友和环境都成了遥远的回忆,新的生活像是尚未铺好的画布,让她既期待又害怕。她在学校里小心翼翼地观察着周围的人,努力融入集体,却发现自己似乎总是慢半拍,无法理解那些时髦的流行语,也无法加入那些热烈的讨论。她只能躲在角落里,看着那些自信飞扬的同龄人,心中涌起一股莫名的失落。 她的父母在她眼中是如此的忙碌和不理解,他们似乎只关心她的学习成绩,却很少注意到她眼底深处的忧伤。在家庭里,她感觉自己像一个漂浮的魂灵,渴望被看见,却又不知道如何吸引父母的注意。一次偶然的机会,她被学校的戏剧社吸引。戏剧社的社长是一位古灵精怪、充满艺术气息的学姐,她身上散发着一种艾莉从未见过的自由和热情。学姐鼓励艾莉尝试一下,说:“每个人都有自己的舞台,只是需要找到它。” 艾莉带着忐忑的心情加入了戏剧社,这是一个由一群形形色色、热爱表演的学生组成的团体。在这里,她第一次感受到一种奇特的归属感。她发现,原来在舞台上,她可以暂时放下现实中的胆怯和不安,去扮演一个完全不同的人。她可以是大胆的女战士,也可以是悲伤的公主,每一次的表演,都是一次对内心世界的探索和释放。 在戏剧社里,她结识了几个重要的朋友。有总是戴着一副厚厚眼镜、说话慢条斯理却知识渊博的男生,他会耐心地解释剧本的深层含义,引导她去思考角色的动机;也有外表活泼开朗、内心却有着自己小秘密的女生,她会分享自己对生活的热情和对未来的憧憬,也偶尔会流露出一些脆弱。艾莉慢慢学会了如何与人建立联系,如何分享自己的喜怒哀乐,她的内心世界不再是孤立的岛屿,而是开始有了沟通的桥梁。 随着戏剧社排练的深入,艾莉扮演的角色也变得越来越重要。她需要克服内心的恐惧,站在舞台中央,用自己的声音和肢体去传达角色的情感。每一次的排练,都是一次挑战,也是一次成长。她开始尝试去理解角色的背景,去揣摩角色的心理,这个过程让她对自己有了更深的认识。她发现,原来自己并不像想象中那么平凡,她身上隐藏着许多自己都未曾发掘的潜力。 在这个过程中,她也遇到了新的挑战。学校里的“风云人物”——一个长相漂亮、但有些傲慢自大的女生,似乎总是看不起艾莉,常常在言语上带有嘲讽。艾莉起初感到很受伤,但随着她在戏剧社中找到自信,她学会了不再被别人的评价所左右。她开始明白,别人的看法并不能定义自己,真正的价值在于内心的力量和对自我的肯定。 故事的高潮,是一场大型的校园戏剧演出。艾莉担任了重要的角色,她需要在舞台上倾注所有的情感。演出的前一天晚上,她感到前所未有的紧张,她担心自己会搞砸一切,辜负了大家的期望。她的朋友们,还有一直在默默支持她的戏剧社老师,都给予了她鼓励和支持。那位古灵精怪的学姐告诉她:“不用害怕,你就是你,你已经很棒了。” 演出的那天晚上,当聚光灯打在艾莉身上时,她深吸一口气,将所有的不安化作力量。她在舞台上倾情演绎,将角色的悲喜淋漓尽致地展现出来。台下的观众被她的表演深深打动,掌声雷动。那一刻,艾莉感受到了前所未有的成就感和喜悦。她不再是那个躲在角落里的孤单女孩,而是闪耀在舞台中央的自信的个体。 演出结束后,艾莉和她的朋友们紧紧拥抱在一起。她知道,这场演出不仅仅是一次简单的戏剧表演,更是她成长道路上的一次重要里程碑。她学会了勇敢地表达自己,学会了在群体中找到自己的声音,学会了相信自己的价值。她也明白了,成长并非一蹴而就,而是一个不断探索、不断试错、不断发现自我的过程。 故事的尾声,艾莉依然是那个敏感而细腻的女孩,但她的眼神中多了一份坚定和光芒。她不再害怕未知,不再畏惧挑战。她知道,未来的路还有很长,但她已经拥有了最宝贵的财富——认识自己,并敢于成为自己。她开始用一种全新的视角看待生活,看待周围的人。她对父母也多了几分理解,她开始尝试主动与他们沟通,分享自己的生活和感受。 小镇的宁静依然,但艾莉的心中已经掀起了波澜壮阔的海洋。她不再是一只夜色中孤独的猫头鹰,而是一只准备展翅高飞的雏鹰,她知道,属于她的天空,还有无限的可能。她不再执着于改变世界,而是选择先改变自己,用自己的方式去影响和感染身边的人。她开始明白,真正的强大,并非来自外在的认可,而是源于内心的丰盈和对自我的接纳。 她也开始关注生活中那些细微的美好,比如清晨的阳光,比如雨后的泥土芬芳,比如朋友脸上真诚的笑容。这些曾经被她忽略的风景,如今都成了滋养她心灵的甘露。她不再将自己孤立起来,而是愿意敞开心扉,去感受世界,去拥抱生活。 这个故事,没有惊心动魄的情节,没有宏大的叙事,它只是一个关于普通女孩在成长过程中,如何一步步找到内心力量,如何学会爱自己,如何勇敢地成为自己的故事。它告诉我们,每个人都有自己独特的闪光点,每个人都有属于自己的舞台,只是需要我们用心去发掘,用爱去浇灌。艾莉的故事,或许就是我们每个人在成长路上的一面镜子,映照出我们曾经的迷茫、挣扎,也映照出我们内心深处对勇气、对爱、对自我的渴望。她最终学会的,不是如何去迎合别人,而是如何成为一个更完整、更真实的自己,如何在这个世界上,找到属于自己的位置,并散发出独特的光芒。

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