Brian Azzarello is the writer and co-creator of the award-winning Vertigo series 100 BULLETS. Azzarello's other writing credits for DC Comics include the graphic novel JOKER, as well as BATMAN: BROKEN CITY, LUTHOR, WONDER WOMAN and HELLBLAZER. Brian has been featured in ENTERTAINMENT WEEKLY, THE CHICAGO TRIBUNE and other publications.
Lee Bermejo began drawing comics in 1997 for WildStorm Studios in San Diego at age 19. He collaborated with acclaimed writer Brian Azzarello on the graphic novels JOKER and LUTHOR, and worked with writer John Arcudi on the Superman feature in WEDNESDAY COMICS. He has also worked on HELLBLAZER with writer Mike Carey and GLOBAL FREQUENCY with writer Warren Ellis. Bermejo has illustrated the covers to the line of Vertigo Crime graphic novels, beginning with FILTHY RICH, written by Brian Azzarello, and DARK ENTRIES, written by Ian Rankin. Bermejo has lived in Italy since 2003.
The controversial, long-awaited prequels to the best-selling graphic novel of all-time are finally here: BEFORE WATCHMEN! For over twenty years, the back stories of the now iconic characters from Alan Moore and Dave Gibbon's landmark graphic novel have remained a mystery, until now. DC Comics has assembled the greatest creators in the industry to further paint the world of WATCHMEN, with this second volume starring two of the most polarizing anti-heroes ever, COMEDIAN and RORSCHACH.
Eisner Award-winning writer and creator of 100 Bullets Brian Azzarello brings his gritty, nuanced storytelling to these two recognizable characters. In RORSCHACH, Azzarello again teams with superstar artist Lee Bermejo (JOKER, LUTHOR, BATMAN/DEATHBLOW) to illustrate how one of most dangerous vigilantes the comic world has ever seen became even darker. COMEDIAN, featuring art by J.G. Jones (FINAL CRISIS, Wanted), plants the famed war hero within the context of American history, as we find out how the Vietnam War and the Kennedy assassination revolve around him.
Collects BEFORE WATCHMEN: COMEDIAN 1-6 and BEFORE WATCHMEN: RORSCHACH 1-4.
《守望者前传:罗夏》是《小丑》的编剧和绘师再度合作的作品,依然延续了哥谭式的黑暗虚无主义风格。 虚无主义的哲学意义认为世界,特别是人类的存在没有意义,没有目的,也没有可理解的真相及最本质价值。尼采认为虚无主义是人们意识到“上帝死了”所导致的。海德格尔将虚无...
評分《守望者前传:罗夏》是《小丑》的编剧和绘师再度合作的作品,依然延续了哥谭式的黑暗虚无主义风格。 虚无主义的哲学意义认为世界,特别是人类的存在没有意义,没有目的,也没有可理解的真相及最本质价值。尼采认为虚无主义是人们意识到“上帝死了”所导致的。海德格尔将虚无...
評分《守望者前传:罗夏》是《小丑》的编剧和绘师再度合作的作品,依然延续了哥谭式的黑暗虚无主义风格。 虚无主义的哲学意义认为世界,特别是人类的存在没有意义,没有目的,也没有可理解的真相及最本质价值。尼采认为虚无主义是人们意识到“上帝死了”所导致的。海德格尔将虚无...
評分《守望者前传:罗夏》是《小丑》的编剧和绘师再度合作的作品,依然延续了哥谭式的黑暗虚无主义风格。 虚无主义的哲学意义认为世界,特别是人类的存在没有意义,没有目的,也没有可理解的真相及最本质价值。尼采认为虚无主义是人们意识到“上帝死了”所导致的。海德格尔将虚无...
評分正义是道德,而道德是模糊的,每个人都有自己对道德的定义和理解,当法律失去了约束力,道德开始强化,于是,“英雄”们出现了。 守望者堪称神作,神作总有衍生产品,这一本前传讲述的就是喜剧演员和罗夏的故事。 喜剧演员是一个“正义”的疯子,这一点和...
感謝漢化組
评分笑匠篇看似替笑匠辯解,實際還是黑笑匠,編劇以為笑匠是那種精於打小算盤的人,抱歉,那可誤解瞭笑匠.羅夏篇把羅夏描述成蠻勇的小聰明,這絕對是原著都沒吃透吧.
评分民兵和笑匠兩篇不錯,彆的就一般般瞭。整體上把守望者的世界彆的更完整。
评分民兵和笑匠兩篇不錯,彆的就一般般瞭。整體上把守望者的世界彆的更完整。
评分很喜歡冷硬的畫風,人和物都是鋼筋鐵骨。喜歡笑匠篇裏齣現the sound of silence的幾頁,還有用鞋底和木闆拼湊齣羅夏形象。兩個故事都一般,感覺沒有深入去挖掘羅夏和笑匠的三觀,都特彆有故事可說的兩個極端分子。羅夏不是一介武夫。SLOMO的漢化太棒。
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