Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and pick up 25-cent “physique” magazines at newsstands. In one such magazine, he found a photograph of bodybuilder Glenn Bishop on Fire Island. “Fire Island sounded exotic, perhaps a name made up by the photographer,” he recalls in the preface to his latest monograph. “I had no idea it was a real place. Certainly, I had no idea then that it was a place I would one day call home.” In 1970, fresh out of law school, Bianchi began traveling to New York, and was invited to spend a weekend at Fire Island Pines, where he encountered a community of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends’ lives in the Pines, amassing an image archive of people, parties and private moments. These images, published here for the first time, and accompanied by Bianchi’s moving memoir of the era, record the birth and development of a new culture. Soaked in sun, sex, camaraderie and reverie, Fire Island Pines conjures a magical bygone era.
評分
評分
評分
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70年代末的同誌社交和現在真是不一樣.
评分那個時代所有的故事幾乎都繞不開那一場瘟疫。
评分那個時代所有的故事幾乎都繞不開那一場瘟疫。
评分男同性們泳池旁,肆無忌憚暴露忙
评分毫無後期可言的寶麗來,永恒之藍的Time Zero相紙,隨意構圖與對焦的拍攝,長島最後的歡快時光在一張張tz中定格成永恒,照片中的大部分人陸陸續續死於AIDS,想到瞭那部叫longtime companion的電影。照片拍的都很一般,不過還是能看得到那種粗狂原始的美
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