This work attempts to describes the ultimate discrete components of language, their specific structure, and their articulatory, acoustic, and perceptual correlates, and surveys their utilization in the language of the world. First published in 1951, this edition contains an added paper on Tenseness and Laxness.
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Feature theory itself is problematic. On one hand, features could group sounds in a weird way that such a combination is highly impossible and rediculous; on the other hand, you nearly always find easier way to describe the phoneme. It is by far easier to say a certain sound is /u/ than saying it is [+syllabic +high +round]
评分Feature theory itself is problematic. On one hand, features could group sounds in a weird way that such a combination is highly impossible and rediculous; on the other hand, you nearly always find easier way to describe the phoneme. It is by far easier to say a certain sound is /u/ than saying it is [+syllabic +high +round]
评分Since most features are acoustically defined, they are not intuitively comprehensible and should therefore be memorised☹️
评分Feature theory itself is problematic. On one hand, features could group sounds in a weird way that such a combination is highly impossible and rediculous; on the other hand, you nearly always find easier way to describe the phoneme. It is by far easier to say a certain sound is /u/ than saying it is [+syllabic +high +round]
评分Since most features are acoustically defined, they are not intuitively comprehensible and should therefore be memorised☹️
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