Lament for a changing Laos
October 30, 1999
Dervla Murphy is a remarkable woman and in many
ways the very model of a traveller. The passion
she brings to life and to travel, she also
brings to her writing. The latest in her long
series of travel books is a vivid description
of, ode to, and lament for Laos - a country on
the verge of major development.
Over her 68 years, Murphy has walked and
pedalled herself across countries in Asia,
Africa, Latin America and Europe. In this, her
15th travel book, the indomitable Irish
sexagenarian pedals across the Annamite
Mountains with an injured foot, walks
kilometres of jungle trails, floats down the
Mekong and charms Lao villagers throughout the
country.
Murphy's journey is travel as it should be.
She firmly eschews the harried race from
tourist site to tourist site. Instead, she
relishes the sheer joy of the journey, from the
open road to a random encounter with a musket-
wielding Hmong hunter. Where others take
tourist buses, Murphy simply starts walking.
For Murphy, the delays or discomforts that
enrage other travellers are just part of the
adventure of Laos.
Her enthusiasm is matched by her eye for
detail. When recounting meals with Lao hosts,
she leaves no bug unturned. The astounding
vistas of the Lao countryside, the havoc
wreaked by logging companies, the beauty of the
Lao's traditional clothing, the feel of the
country's dirt roads, all of these are vividly
and engagingly described.
But Murphy is most engaged by the Lao
themselves. She is enchanted by everything from
the ubiquitous smiles of the majority Lao Lum
to the gracious hospitality of the minority
Hmong in their remote mountain villages.
Eager to please and difficult to anger, the
Lao, Murphy writes unequivocally, are 'the most
lovable and in many ways the most civilised
people I have ever travelled among'. She drinks
with them at their (Hmong and Chinese and
ethnic Lao) festivals, eats bamboo rat and
monitor lizard at their tables, and bridges the
language gap with intricate sign-language
conversations.
Her love of Laos exactly as is leads to her
strident denunciations of any and all change.
Laos is embarking on the transformations that
have occurred in (afflicted, Murphy would say)
neighbouring Thailand, China, Vietnam and
Cambodia. While the issues of economic
development and cultural change are complex,
Murphy's handling of them is overly simplistic:
Laos good. Change bad.
Many of Murphy's villains are deserving, and
easy, targets: bribe-wielding logging companies
or arrogant and ignorant UN bureaucrats. Others
are less clear cut: Murphy is depressed by
electric pylons in an otherwise beautiful
valley. While pylons are not aesthetically
pleasing, Laos is not a nature preserve for
foreigners, it is a country with inhabitants
who deserve to enjoy the benefits of
electricity we take for granted.
For such a keen observer and on such a vital
issue, Murphy can be remarkably dismissive. She
portrays any Lao's desire for change as nothing
more than seduction or corruption by rapacious
outsiders.
Murphy rarely takes a nuanced look at the
desires for change. For example, while we
greatly admire Murphy's bicycle riding, is it
unreasonable that an older Lao woman would
prefer a motorbike? The joy of a Cambodian able
to explore the world on the Internet or a
Vietnamese whose family can afford to send her
to university instead of the rice fields are
testimony to legitimate benefits of
development.
Similarly, Murphy's lament on the demise of
Lao culture in the face of 'progress' is also
worthy of thought, but not of
oversimplification. She equates modernisation
with a total loss of cultural identity, but are
Hong Kong Chinese, for example, any less
Chinese than their counterparts in poverty-
stricken Anhui province? All of these are deep,
complex questions.
Even if one finds her political commentary
oversimplified, she brings up vital issues. The
Lao, whom Murphy so affectionately describes,
are on the cusp of drastic material and
spiritual change. For these people, the
questions Murphy raises are of supreme
importance.
This is an excellent travelogue written by a
remarkable woman. Her passion for adventure,
the passion of her narrative, and the passion
with which she condemns what distresses her all
produce a memorable and vivid reading
experience.
One Foot In Laos by Dervla Murphy John Murray
$322
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坦白说,初翻开这本书时,我有些担心它会陷入过度浪漫化异域风情的窠臼,但事实证明我的顾虑是多余的。作者的笔触是审慎而克制的,她没有把笔下的地方描绘成一个脱离现实的乌托邦,相反,她勇敢地揭示了光鲜外表下隐藏的复杂性、困境以及那些不为人知的社会现实。这种深刻的洞察力,使得作品的层次感陡然提升。我尤其欣赏作者在处理文化冲突和个人身份认同时所展现出的那种人文关怀,她不轻易下结论,而是提供了一个广阔的思考空间,让读者自己去面对那些难以调和的矛盾。书中一些关于传统与现代交锋的段落,写得尤为犀利,字里行间透露出对历史沉淀的尊重和对未来变迁的忧虑。这绝不是一本轻松的消遣读物,它要求读者投入心力去解读那些深层的隐喻,但最终的回报是丰厚的,它拓展了我对“理解”和“共存”的认知边界。
评分这本书的语言风格独树一帜,充满了古典的韵味,仿佛每一个句子都被精心打磨过,如同打磨光滑的鹅卵石,触感温润,掷地有声。作者似乎对词汇的搭配有着近乎偏执的追求,那些看似寻常的词语,在她手中组合起来,总能迸发出令人耳目一新的意象。阅读体验是极其流畅的,句子结构的变化丰富多端,长句的铺陈叙事与短句的精悍有力交替出现,节奏感极强,仿佛一部精心编排的交响乐,高低起伏,张弛有度。我常常会因为某个绝妙的比喻而停下来,反复品味其中的精妙之处,它不是那种华丽到让人眼花缭乱的辞藻堆砌,而是一种恰到好处的精准表达,如同在黑暗中点亮一盏恰如其分的灯笼。对于文字爱好者而言,这本书无疑是一场盛宴,它证明了优秀的小说不仅在于讲述一个故事,更在于如何用文字构建一个可以被触摸和感知的世界。
评分这本书的文字有一种魔力,它让我仿佛置身于一个截然不同的世界,空气中弥漫着一种古老而神秘的气息。作者对细节的捕捉能力令人惊叹,无论是对当地人脸上深刻的皱纹,还是市场上琳琅满目的香料和手工艺品,每一个描摹都栩栩如生,带着强烈的画面感。我特别欣赏那种不加修饰的真实感,故事里的人物不是扁平的符号,而是有血有肉、充满矛盾和挣扎的个体,他们的选择和命运深深牵动着读者的心弦。叙事节奏的把握也十分老道,时而舒缓细腻,如同清晨的薄雾,让人沉浸其中细细品味;时而又急转直下,充满张力,让人屏息凝神,生怕错过任何一个关键的转折。这种张弛有度的叙事,使得即便是对异域文化不甚了解的读者,也能轻松地被卷入故事的洪流,体验到那种由衷的震撼与感动。读完之后,那种余韵久久不散,仿佛心底留下了一块尚未完全消散的琥珀,温润而沉甸。
评分如果用一个词来概括我的阅读感受,那一定是“沉浸”。这本书的氛围营造能力达到了炉火纯青的地步。从季节的更迭到日常生活的琐碎细节,从人物内心的挣扎到外部环境的巨大变迁,所有元素都完美地融合在一起,形成了一个自洽且引人入胜的微观宇宙。我感觉自己不是在“阅读”一个故事,而是在“经历”一段人生。特别是一些关于自然景色的描写,那种广袤、深远、略带苍凉的美感,简直让人心头一紧,仿佛能闻到泥土和远山上松脂的气味。作者对光影的运用也极其高明,黑暗与光明、希望与绝望的交织,为整个故事奠定了一种史诗般的基调。这种强烈的代入感,让这本书在读完很久之后,依旧能在不经意间跳出来,提醒我曾经沉醉于那片土地上的时光。它成功地将地理空间转化为了深刻的情感体验。
评分我必须承认,这本书对我来说是一次挑战,尤其是在前三分之一的部分,角色的引入和复杂的人物关系网让我花费了额外的精力去梳理。作者似乎有意为之,她不愿用简单的线索来引导读者,而是直接将我们抛入一个充满迷雾的环境中,迫使我们主动去构建理解的桥梁。但一旦跨过了最初的门槛,那种被解开谜团后的豁然开朗感,便成了阅读过程中最大的乐趣之一。书中关于信念、牺牲与救赎的主题探讨得极为深刻,它没有提供简单的答案,而是像一个高明的哲学家,提出一系列尖锐的问题,迫使读者反思自己立足的根基。这种严肃的文学姿态,使得作品具有了超越时空的价值,它不追逐潮流,而是扎根于人性永恒的母题。我喜欢这种“不迎合”的态度,它让作品本身散发出一种坚韧而独特的光芒。
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