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Coleridge combined the genius of a poet with the mind of a philosophical critic. His writings are wide-ranging in form and content, and vast in number. Norton's long-awaited edition is the most comprehensive and user-friendly student edition available. Supporting apparatus includes detailed headnotes, footnotes (both Coleridge's and the editors'), biographical register, glossary, and an index of poems and first lines. "Criticism" includes twenty assessments of Coleridge's poetry and prose by British and American authors. About the series : No other series of classic texts equals the caliber of the Norton Critical Editions . Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.

INTRODUCTION
ABBREVIATIONS
The Text of the Coleridge’s Poetry and Prose
THE POETRY
From Poems on Various Subjects (1796)
Preface
Monody on the Death of Chatterton
To a Young Lady with a Poem on the French Revolution
Effusions
Effusion I
Effusion II
Effusion III
Effusion IV
Effusion V
Effusion VI
Effusion XX. To the Author of “Robbers”
Effusion XXII. To a Friend together with an Unfinished Poem
Effusion XXXV. Composed August 20th, 1795 at Clevedon, Somersetshire
Religious Musings
Ode on the Departing Year (1796)
To Thomas Poole of Stowey
Ode on the Departing Year
From Poems (1797)
Dedication. To the Reverend George Coleridge, of Ottery St. Mary, Devon
From Preface. To the Second Edition
Introduction of the Sonnets
Sonnet IV
Sonnet IX
Sonnet X
Reflections
From Lyrical Ballads (1798, 1800)
The Rime of the Ancient Mariner, in Seven Parts
Argument
The Rime of the Ancient Mariner (1798)
The Rime of the Ancient Mariner (1834)
The Foster-Mother’s Tale, A Dramatic Fragment
The Nightingale: A Conversational Poem, Written in April, 1798
The Dungeon
Love
Fears in Solitude (1798)
Fears in Solitude
France. An Ode
Frost at Midnight
From The Morning Post and The Annual Anthology (1800)
The Visions of the Maid of Orleans
Recantation, Illustrated in the Story of the Mad Ox
Lines Written in the Album at Elbingerode, in the Hartz Forest
To a Friend
This Lime-Tree Bower My Prison, A Poem
Sonnet XII
Fire, Famine & Slaughter. A War Eclogue
Dejection: An Ode (1802)
A Letter to -------------- [Sara Hutchinson]
Dejection: An Ode
Christabel, Kubla Khan, and The Pains of Sleep (1816)
Christabel
Preface
Christabel
Kubla Khan: or A Vision in a Dream
Of the Fragment of Kubla Khan
Kubla Khan
The Pains of Sleep
Sibylline Leaves (1817)
Preface
Love-Poems
The Picture, or The Lover’s Resolution
The Visionary Hope
Recollections of Love
Meditative Poems in Blank Verse
Hymn Before Sun-rise, in the Vale of Chamouny
Inscription for a Fountain on a Heath
To a Gentleman
Poetical Works (1828, 1829, 1834)
Poetical Works (1828). Prose in Rhyme: or Epigrams, Moralities, and Things, Without a Name
Phantom or Fact? A Dialogue in Verse
Work Without Hope
A Day Dream
Lines Suggested by the Last Words of Berengarius
Constancy to an Ideal Object
Prefactory Note to the Wanderings of Cain
Poetrical Works (1829)
The Garden of Boccaccio
From Poetical Works (1834). Miscellaneous Poems
Phantom
Youth and Age
Love’s Apparition and Evanishment
A Character
—E cœlo descendit . . . .—Juvenal
Epitaph
Uncollected Poetry
[Apologia pro vita sua]
The Day Dream
[Metrical Experiments, 1805]
A Thought Suggested by a View of Saddleback
[Notebook Fragment, 1806]
[Notebook Fragment, 1807]
[Notebook Fragment, 1810]
[Notebook Fragment, 1811]
THE PROSE
From A Moral and Political Lecture, Delivered at Bristol (1795)
Conciones ad Populum. Or Addresses to the People (1795)
From On the Present War
Lectures on Revealed Religion (1795)
From Lecture 2
From Lecture 5
From Lecture 6
From The Plot Discovered; or An Address to the People, against Ministerial Treason (1795)
The Watchman (1796)
Prospectus
Modern Patriotism
On the Slave Trade
Once a Jacobin always a Jacobin
From The Lectures on Literature (1811-12, 1818)
[On Romeo and Juliet]
[On Ancient and Modern Drama and The Tempest]
[On Hamlet]
[On Dramatic Illusion]
From Essays on the Principles of Genial Criticism (1814)
From Essay 2
From Essay 3
From Lay Sermons (1816-17)
From The Statesman’s Manual; or The Bible the Best Guide to Political Skill and Foresight
From Appendix C of The Statesman’s Manual
From A Lay Sermon (“Blessed are ye that sow beside all Waters!”)
Biographia Literaria; or Biographical Sketches or My Literary Life and Opinions (1817)
From Volume 1
From Volume 2
From The Friend (1818)
[Reason and Understanding]
From The Essays on the Principles of Method
From Aids to Reflection (1825)
From Preface
From [Moral and Religious Aphorisms]
From [Aphorisms on Spiritual Religion]
From On the Constitution of Church and State
Miscellaneous Prose
Androgynous Minds
The Bible
Death
Dreams and Sleep
Education
Evil
Feelings
The French Revolution
John Keats
Language
Life
Love, Lust, and Friendship
Madness
Nature
Opium
Pantheism
Parliamentary Reform
Philosophy
Platonists and Aristotelians
Poetry
Prayer
Religion
Self-Analysis
Symbol
Women
Wordsworth
From The Letters (1796-1826)
To John Thelwell (November 19, 1796)
To Thomas Poole (February 6, 1797)
To Thomas Poole (March 1797)
To Joseph Cottle (April 1797)
To Thomas Poole (October 9, 1797)
To Thomas Poole (October 16, 1797)
To Thomas Poole (February 19, 1798)
To George Coleridge (c. March 10, 1798)
To Thomas Poole (March 16, 1801)
To Thomas Poole (March 23, 1801)
To William Sotheby (September 10, 1802)
To Sara Coleridge (November 23, 1802)
To Thomas Wedgwood (September 16, 1803)
To Thomas Poole (October 14, 1803)
To J. J. Morgan (May 14, 1814)
To J. J. Morgan (May 15, 1814)
To Thomas Allsop (March 30, 1820)
Criticism
NINETEENTH CENTURY: BRITAIN
William Wordsworth * From The Prelude
Charles Lamb * From Christ’s Hospital Five and Thirty Years
From Letters
From [The Album of a London Bookseller]
William Hazlitt * From Lectures on the English Poets:
From Mr. Coleridge
Anne Jackson Matthews * From The Life and Correspondence of Charles Matthews the Elder, Comedian
Thomas De Quincey * From Samuel Taylor Coleridge
Thomas Carlyle * From The Life of John Sterling
Harriet Martineau * From Autobiography
John Stuart Mill * From Coleridge
NINETEENTH CENTURY: UNITED STATES
Ralph Waldo Emerson * From The Letters
From Journals and Miscellaneous Notebooks
From First Visit to England
Edgar Allan Poe * From Letter to B---------
From [Review of Letters, Conversations, and Recollections]
Margaret Fuller * From Art, Literature, and the Drama
TWENTIETH CENTURY
Robert Penn Warren * A Poem of Pur Imagination: An Experiment in Reading
M. H. Abrams * Structure and Style in the Greater Romantic Lyric
Frances Ferguson * Coleridge and the Deluded Reader: “The Rime of the Ancient Mariner”
Karen Swann * “Christabel”: The Wandering Mother and the Enigma of Form
Nicholas Roe * Introduction: Voices from the Common Grave of Liberty
Peter Hoheisel * Coleridge on Shakespeare: Method Amid the Rhetoric
Jerome McGann * The Biographia Literaria and the Contentions of English Romanticism
Thomas McFarland * Coleridge’s Theory of the Imagination
Ben Knights * The Idea of the Clerisy: Samuel Taylor Coleridge
BIOGRAPHICAL REGISTER
GLOSSARY
SAMUEL TAYLOR COLERIDGE: A CHRONOLOGY
SELECTED BIBLIOGRAPHY
INDEX OF POEMS AND FIRST LINES
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