图书标签: 媒介 theory Media 技术 MSA
发表于2024-11-22
Software Takes Command pdf epub mobi txt 电子书 下载 2024
Software has replaced a diverse array of physical, mechanical, and electronic technologies used before 21st century to create, store, distribute and interact with cultural artifacts. It has become our interface to the world, to others, to our memory and our imagination - a universal language through which the world speaks, and a universal engine on which the world runs. What electricity and combustion engine were to the early 20th century, software is to the early 21st century. Offering the the first theoretical and historical account of software for media authoring and its effects on the practice and the very concept of 'media,' the author of The Language of New Media (2001) develops his own theory for this rapidly-growing, always-changing field.
What was the thinking and motivations of people who in the 1960 and 1970s created concepts and practical techniques that underlie contemporary media software such as Photoshop, Illustrator, Maya, Final Cut and After Effects? How do their interfaces and tools shape the visual aesthetics of contemporary media and design? What happens to the idea of a 'medium' after previously media-specific tools have been simulated and extended in software? Is it still meaningful to talk about different mediums at all? Lev Manovich answers these questions and supports his theoretical arguments by detailed analysis of key media applications such as Photoshop and After Effects, popular web services such as Google Earth, and the projects in motion graphics, interactive environments, graphic design and architecture. Software Takes Command is a must for all practicing designers and media artists and scholars concerned with contemporary media.
Lev Manovich is the author of Soft Cinema: Navigating the Database (2005), and The Language of New Media (2001) which was described as "the most suggestive and broad ranging media history since Marshall McLuhan." Manovich is a Professor at CUNY Graduate Center, a Director of the Software Studies Initiative at California Institute for Telecommunications and Information Technology, and a Visiting Professor at European Graduate School.
睡不着过了一遍Manovich 2013年的这本小册子。基本延续的是他注重digital技术的思路,这也是现在学界主流的观点,把new media art用digital art这个名词替代,而且Manovich觉得没有所谓的new media art,有的只是new softwares applying to art. 主体部分基本延续着对software的研究。结论里8条对medium性质的归纳也适用社交媒体,这也是我在综述里的一个主张:medium的单数(digital)和复数media(social networks)需要同时纳入到关于新媒体的理论里,我觉得这是目前英语文献没有考虑全的一点。另外结尾还提到software epistemology的问题,也是个和媒介考古学接轨的新东西
评分睡不着过了一遍Manovich 2013年的这本小册子。基本延续的是他注重digital技术的思路,这也是现在学界主流的观点,把new media art用digital art这个名词替代,而且Manovich觉得没有所谓的new media art,有的只是new softwares applying to art. 主体部分基本延续着对software的研究。结论里8条对medium性质的归纳也适用社交媒体,这也是我在综述里的一个主张:medium的单数(digital)和复数media(social networks)需要同时纳入到关于新媒体的理论里,我觉得这是目前英语文献没有考虑全的一点。另外结尾还提到software epistemology的问题,也是个和媒介考古学接轨的新东西
评分虽然有点技术决定论,但提出的“deep remixability”确实比单一的MSA要有推进,“元媒介”提供了一个整体生态的视角。但是马诺维奇没有考虑技术也是社会机制的产物,“物质背后”又是一条衔尾蛇。
评分虽然有点技术决定论,但提出的“deep remixability”确实比单一的MSA要有推进,“元媒介”提供了一个整体生态的视角。但是马诺维奇没有考虑技术也是社会机制的产物,“物质背后”又是一条衔尾蛇。
评分睡不着过了一遍Manovich 2013年的这本小册子。基本延续的是他注重digital技术的思路,这也是现在学界主流的观点,把new media art用digital art这个名词替代,而且Manovich觉得没有所谓的new media art,有的只是new softwares applying to art. 主体部分基本延续着对software的研究。结论里8条对medium性质的归纳也适用社交媒体,这也是我在综述里的一个主张:medium的单数(digital)和复数media(social networks)需要同时纳入到关于新媒体的理论里,我觉得这是目前英语文献没有考虑全的一点。另外结尾还提到software epistemology的问题,也是个和媒介考古学接轨的新东西
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Software Takes Command pdf epub mobi txt 电子书 下载 2024