An Italian village on a hilltop near the Adriatic coast, a decaying palazzo facing the sea, and in the basement, cobwebbed and dusty, lit by a single bulb, an archive unknown to scholars. Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries.
The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome, moving from one rooming house to another, constantly in and out of jail, all the while painting works of transcendent emotional and visual power. He rose from obscurity to fame and wealth, but success didn’t alter his violent temperament. His rage finally led him to commit murder, forcing him to flee Rome a hunted man. He died young, alone, and under strange circumstances.
Caravaggio scholars estimate that between sixty and eighty of his works are in existence today. Many others–no one knows the precise number–have been lost to time. Somewhere, surely, a masterpiece lies forgotten in a storeroom, or in a small parish church, or hanging above a fireplace, mistaken for a mere copy.
Prizewinning author Jonathan Harr embarks on an spellbinding journey to discover the long-lost painting known as The Taking of Christ–its mysterious fate and the circumstances of its disappearance have captivated Caravaggio devotees for years. After Francesca Cappelletti stumbles across a clue in that dusty archive, she tracks the painting across a continent and hundreds of years of history. But it is not until she meets Sergio Benedetti, an art restorer working in Ireland, that she finally manages to assemble all the pieces of the puzzle.
Told with consummate skill by the writer of the bestselling, award-winning A Civil Action , The Lost Painting is a remarkable synthesis of history and detective story. The fascinating details of Caravaggio’s strange, turbulent career and the astonishing beauty of his work come to life in these pages. Harr’s account is not unlike a Caravaggio painting: vivid, deftly wrought, and enthralling.
". . . Jonathan Harr has gone to the trouble of writing what will probably be a bestseller . . . rich and wonderful. . .in truth, the book reads better than a thriller because, unlike a lot of best-selling nonfiction authors who write in a more or less novelistic vein (Harr's previous book, A Civil Action , was made into a John Travolta movie), Harr doesn't plump up hi tale. He almost never foreshadows, doesn't implausibly reconstruct entire conversations and rarely throws in litanies of clearly conjectured or imagined details just for color's sake. . .if you're a sucker for Rome, and for dusk. . .[you'll] enjoy Harr's more clearly reported details about life in the city, as when--one of my favorite moments in the whole book--Francesca and another young colleague try to calm their nerves before a crucial meeting with a forbidding professor by eating gelato. And who wouldn't in Italy? The pleasures of travelogue here are incidental but not inconsiderable." -- The New York Times Book Review
"Jonathan Harr has taken the story of the lost painting, and woven from it a deeply moving narrative about history, art and taste--and about the greed, envy, covetousness and professional jealousy of people who fall prey to obsession. It is as perfect a work of narrative nonfiction as you could ever hope to read." -- The Economist
From the Hardcover edition.
乔纳森•哈尔(Jonathan Harr),现居美国麻省,在史密斯学院教授非小说写作教程。自2000年开始,在罗马、都柏林与伦敦探访参与发掘《逮捕耶稣》真迹的相关人士。
今天什么都没做读完了这本书。 随便记录一下好了。 这本是纪实作品,不是小说,所以很值得一读。书中的人物使用的都是真名。 卡拉瓦乔的传记贯穿其中,但他人品真的不怎么样。 我只能说这是幅充满魔力的画。画作本身的价值不说,却带给了很多人好运。大家都中了乐透彩。 我喜欢...
评分我目前看了个开篇(看掉了第一部-英国人),气势和文笔中的脉络都是直击读者内心、行云流水。。。。目前看来还是不错的对艺术类文献、书籍有兴趣的朋友可以关注一下这本书
评分我目前看了个开篇(看掉了第一部-英国人),气势和文笔中的脉络都是直击读者内心、行云流水。。。。目前看来还是不错的对艺术类文献、书籍有兴趣的朋友可以关注一下这本书
评分八月底 我发现自己空虚的生活亟需整改。原来无聊了就开电脑(于是整天都开着电脑=。=) 刷人人 刷围脖 补古早档 一个人蹲在椅子上看90年代的番组看得不亦乐乎。但是任何一种生活方式持续了超过半年、甚至快要达到一年 同时你又没有任何目标 怎么样都会厌倦的吧?idol仍然很美很...
评分纪实作品可以这样写 ——我看《失踪的名画》 《文艺报》8月27日4版http://www.chinawriter.com.cn/bk/2010-08-27/46777.html 人物、情节这些小说要素,在《失踪的名画》中处理得十分出色。关于《失踪的名画》,如果不注意勒口和版权页的相关信息,你会以为自己读到的是一部虚...
坦白说,我通常对这种类型的题材不太感冒,但这部作品完全打破了我的固有偏见。它的核心主题处理得极其深刻且富有洞察力,探讨的并非仅仅是表面的冲突,而是深入到了人性的复杂性和社会结构中的某种隐秘的运作机制。作者没有给出简单的对错判断,而是呈现了一个灰色的世界观,每个人物都有自己的苦衷和立场,这种不轻易站队的叙事态度,让整个故事显得更加真实和耐人寻味。我特别欣赏它在保持故事张力的同时,还能不动声色地植入一些关于记忆、身份认同或者时代变迁的严肃思考。例如,书中某段关于某个历史事件的侧面描写,虽然只是作为背景存在,却让我对那个时代有了全新的理解,这已经超越了一般娱乐性小说的范畴。它不是那种读完就忘的作品,那些关于选择和后果的讨论,会像余音绕梁一样,在我脑海中停留很久。那种需要读者主动去思考、去拼凑线索的阅读体验,让人感觉自己不是一个被动的接收者,而是一个积极的参与者,共同构建这个故事的意义。
评分这本书的语言风格实在是太迷人了,它不像某些文学作品那样故作高深或晦涩难懂,反而带着一种恰到好处的韵味和力量感。作者的遣词造句颇具匠心,很多地方的表达方式都非常新颖,读到一些精彩的段落时,我甚至会忍不住停下来反复咀嚼,体会其中精妙的语感。它更像是一首精心谱写的乐章,节奏有快有慢,情感有高有低,时而如急促的鼓点让人心跳加速,时而又像悠扬的大提琴,带着一丝深沉的忧郁。我特别喜欢作者在描绘人物内心独白时所采用的那种散文诗般的笔触,那种近乎哲学的思辨,虽然篇幅不长,却能在瞬间将故事的深度提升到一个新的层次。与许多线性叙事的小说不同,这本书在时间线上的处理也颇有新意,通过巧妙地穿插回忆和现实,构建了一个多维度的叙事空间,让读者得以更全面地理解事件的来龙去脉。总而言之,从纯粹的文字审美角度来看,这本书无疑是一次愉悦的阅读盛宴,它证明了优秀的故事可以同时拥有引人入胜的情节和值得玩味的文字功底。
评分这部作品的叙事节奏掌控得简直出神入化,读起来让人完全沉浸其中,仿佛每一个场景都发生在眼前。作者对于人物心理的刻画细腻入微,那些微小的犹豫、转瞬即逝的情绪波动,都被捕捉得极其精准,使得角色仿佛拥有了鲜活的生命力。特别是主角在面对困境时的挣扎与抉择,那种矛盾的内心戏份,让人在为他捏一把汗的同时,也深深地理解了他的处境。书中的环境描写也极其到位,无论是喧嚣的都市背景,还是幽静的乡野小镇,都被描绘得栩栩如生,仅仅通过文字,我就能感受到空气的湿度、光线的强弱,这极大地增强了阅读的沉浸感。情节的推进充满了张力,总是在你以为一切尘埃落定时,又会抛出一个意想不到的转折,这种“柳暗花明又一村”的设置,让人欲罢不能,恨不得一口气读完。我尤其欣赏作者对于细节的打磨,那些看似不经意的对话,往往在后续的情节中起到了至关重要的作用,显示出作者布局的深远和严谨,绝非信手拈来之作。整本书读下来,体验感非常流畅,没有丝毫的拖沓感,每一个章节的结尾都像一个小小的钩子,牢牢地勾住了读者的好奇心,让人对后续的发展充满期待。
评分从纯粹的情感共鸣角度来说,这本书是近些年来我读过的最动人的一部作品之一。它没有刻意煽情,但那种铺垫已久的深沉情感,在关键时刻爆发出来时,那种力量是极其震撼的。我感受到了一种贯穿始终的宿命感和无力感,但同时也夹杂着一丝微弱却坚韧的希望之光。作者描绘的几段关键人物关系的裂变与重塑,处理得极为克制而有力,正是这种克制,才让情感的张力达到了极致。我甚至在阅读过程中多次停下来,只是为了平复一下自己有些激动的心绪。它成功地在读者和角色之间搭建起了一座坚实的桥梁,使得角色的痛苦、喜悦、失落,都能够真实地投射到读者的心底。这本书成功地做到了“以小见大”,通过描绘个体在时代洪流中的挣扎,映射出更宏大的人类共通的情感体验。它不仅仅是一个故事,更像是一次深入灵魂的对话,让人在合上书本后,依然能感受到角色们在那个世界里继续呼吸着,他们的命运也牵动着我的思绪久久不能散去。
评分这本书给我最强烈的感受是它的结构搭建得像一个精密的钟表。每一个齿轮——每一个配角、每一条支线情节——都咬合得天衣无缝,最终驱动着主线故事朝着不可避免的高潮前进。我很少看到一部小说能将群像描写和个体命运交织得如此自然流畅。那些看似边缘的角色,在关键时刻总能爆发出惊人的能量,他们的故事线虽然短促,但却极具重量感,绝非工具人般的存在。作者对于场景转换的把握也十分老练,从一个紧凑的室内对峙,无缝衔接到一场宏大的户外追逐,这种节奏的切换处理得干脆利落,不拖泥带水,极大地提升了阅读的爽快感。读到中段时,我曾试图预测接下来的发展,但很快就发现自己预测得太简单了。作者似乎总能领先我一步,设置了多重误导,使得真正的真相揭示时,那种“原来如此”的震撼感达到了最大化。这绝对是一部在叙事技巧上可以称得上是教科书级别的作品,非常值得那些对情节设计感兴趣的读者仔细研读。
评分同意其中一位的评价,前半很拖。但当你牢记它是一部非小说时,事情就变得有意思了。书只值三颗星,第四颗星是给caravaggio的。
评分We are always so eager to chase the past.
评分同意其中一位的评价,前半很拖。但当你牢记它是一部非小说时,事情就变得有意思了。书只值三颗星,第四颗星是给caravaggio的。
评分刚开了个头,实在是太无聊了,看我还能坚持多久。Then when I realized that it wasn't a fiction, it got interesting.
评分刚开了个头,实在是太无聊了,看我还能坚持多久。Then when I realized that it wasn't a fiction, it got interesting.
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