Historical Grammar of the Visual Arts pdf epub mobi txt 电子书下载 2024

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Alois Riegl

Zone

Jacqueline E. Jung

2004-10-22

474

USD 38.95

Hardcover

9781890951450

图书标签: 艺术史 Alois_Riegl 艺术理论美学 Riegl 顾峥 Art 视觉转向

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发表于2024-12-26

Historical Grammar of the Visual Arts epub 下载 mobi 下载 pdf 下载 txt 电子书下载 2024

Historical Grammar of the Visual Arts pdf epub mobi txt 电子书下载 2024

图书描述

The work of Alois Riegl (1858-1905) has been highly influential in art history of the modern age. Riegl, the most important member of the so-called Vienna School, developed a refined technique of visual or formal analysis that departed from the iconological method, which emphasized decoding motifs through recourse to texts. Riegl also pioneered understanding of the changing role of the viewer, the significance of non-high art objects (or what would now be called visual or material culture), and theories of art and art history, including his much-debated neologism Kunstwollen (the will of art). His major works include Foundations for a History of Ornament, Late Roman Art Industry, and The Group Portraiture of Holland. Riegl's Historical Grammar of the Visual Arts, which brings together the diverse threads of his thought, is now available to an English-language audience, in a masterful translation by Jacqueline E. Jung. In one of the earliest and perhaps the most brilliant of all art historical surveys, Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist's intentions or its social and historical functions.

Historical Grammar of the Visual Arts 下载 mobi epub pdf txt 电子书

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用户评价

评分☆☆☆☆☆

已经完全成为了Riegl的脑残粉。我学术上的梦想增加一条，为这本书做注疏。

评分☆☆☆☆☆

已经完全成为了Riegl的脑残粉。我学术上的梦想增加一条，为这本书做注疏。

评分☆☆☆☆☆

其实是同一个标题下两个版本的合集。五星全给第二版本，各方面全方面超越前一稿，没能写完实在太可惜。作者从人类当初创造艺术不是为了模仿自然，而是“抗争”（Contest)自然这个极为关键且可靠的史观为出发点，对（西方）古代至文艺复兴的观念史，或者更准确的说是世界观（worldview)进行了异常清晰的梳理，然后再论述每个时期的世界观是如何影响视觉艺术的形成。过渡非常自然不生硬，逻辑满分。过去读艺术史著作时候一些让自己很困惑的基本问题在这本书里找到了解答或者思路。尽管书里的内容本身可能已经过时，但是就像译者说的，它是实实在在的monumental ruin，丝毫不影响它的大气壮观还有对后人的启发

评分☆☆☆☆☆

是Riegl的讲稿, 比较注重诠释自己的理论，在Late Roman Art Industry and Stilfrage 中还比较模糊的Kunstwollen此处详细地解释了。这个时期的艺术史学家其实都无法摆脱康德的影响，Riegl也不例外。值得注意的是，这个时候讲的，艺术超越自然，并与自然竞争，其实并不是科学中让自然为我们所用的那个意思。后者在康德的语境下不过是自然因果关系的延伸。此处艺术与自然的竞争是在征求一种超越自然的因果，或称其为自由。从某种程度上将Kunstwollen其实描述了Artistic Form和Perfection之间的距离。很多人说Riegl是Hegelian其实并不准确，他对艺术的描述其实与Schiller在关于美的书信集中的描述十分相近。

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