The work of Alois Riegl (1858-1905) has been highly influential in art history of the modern age. Riegl, the most important member of the so-called Vienna School, developed a refined technique of visual or formal analysis that departed from the iconological method, which emphasized decoding motifs through recourse to texts. Riegl also pioneered understanding of the changing role of the viewer, the significance of non-high art objects (or what would now be called visual or material culture), and theories of art and art history, including his much-debated neologism Kunstwollen (the will of art). His major works include Foundations for a History of Ornament, Late Roman Art Industry, and The Group Portraiture of Holland. Riegl's Historical Grammar of the Visual Arts, which brings together the diverse threads of his thought, is now available to an English-language audience, in a masterful translation by Jacqueline E. Jung. In one of the earliest and perhaps the most brilliant of all art historical surveys, Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist's intentions or its social and historical functions.
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已经完全成为了Riegl的脑残粉。我学术上的梦想增加一条，为这本书做注疏。
评分已经完全成为了Riegl的脑残粉。我学术上的梦想增加一条，为这本书做注疏。
评分已经完全成为了Riegl的脑残粉。我学术上的梦想增加一条，为这本书做注疏。
评分已经完全成为了Riegl的脑残粉。我学术上的梦想增加一条，为这本书做注疏。
评分08年曾经跟中大刘老师商量合译这本书，后来大家都转行了，一晃十年，不知道这书的译文有着落了没有。
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