ABOUTBOOK: From the moment Ruby Lennox announces her own conception ("I exist!"), it is clear that she is a narrator who will leave no stone unturned in her account of family life above a pet shop in England. Not content simply to describe her own circumstances, Ruby investigates the lives of the women in family both past and present, from her great-grandmother's affair with a French photographer to her mother's unfulfilled dreams of Hollywood glamour. Hurtling in and out of both World Wars, economic downfalls, the onset of the permissive '60's, and up to the present day, Ruby paints a rich and vivid portrait of heartbreak and happiness, and from it draws a rare understanding of the shared secrets, hopes and failures that unite every family. DISCUSSIONQUES: What do cupboards have to do with the story? More than one reviewer compared Behind the Scenes at the Museum to Tristram Shandy and to the works of Marcel Proust and Charles Dickens. What might these novels have in common? How does Kate Atkinson update or expand upon the earlier books' use of narration and history? One of Atkinson's innovations is her use of footnotes. Why do you think she adopted this non-fiction technique in a novel? Although this novel is very much about a specific time and place, it has been embraced by audiences in twelve countries, in as many languages. What gives Behind the Scenes at the Museum such a universal appeal? What is the meaning of the book's title? What other fictional narrators does Ruby Lennox bring to mind? What does Behind the Scenes at the Museum say about women's roles and opportunities in the family and in the world at large? What do the four generations of women in Ruby's family have in common? Behind the Scenes at the Museum generated controversy in England when a critic called it "anti-family." How would you defend the book against this charge? What other novels, now considered classics, might have had to face this sort of accusation? AUTHORBIO: Kate Atkinson was born in York in 1951, she earned her master's degree in English literature at Dundee University, and did further graduate work in American literature. While raising her two daughters, she held a variety of jobs, from university tutor to welfare benefits administrator, and always wrote, publishing short stories in British magazines and finally her first novel, Behind the Scenes at the Museum, in 1995 in England and 1996 in the United States. The critical response in both countries was overwhelming, and Atkinson's talent was justly celebrated when Behind the Scenes at the Museum was named England's Whitbread Book of the Year.
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这本书的幽默感是内敛而高级的,它不依赖于夸张的肢体动作或粗俗的笑话,而是从对人性弱点和日常荒谬性的精准捕捉中自然流淌出来。我常常是在读完一个略带伤感的段落后,突然发现作者用一个极其精准的比喻将整个情境的滑稽之处点破,让人会心一笑,笑声中带着一丝理解和释然。例如,书中描述一个官僚主义者为了坚持一个错误的规定而绞尽脑汁的场景,那种为了维护虚荣而进行的复杂心理活动,被作者用一种近乎讽刺的、但又饱含同情的笔触描绘出来,让你既想摇头叹息,又忍不住想笑出声。这种“悲喜交融”的笔调,非常成熟,它让我们看到,即使在最严肃的题材中,生活本身也充满了讽刺的幽默。它不是让你捧腹大笑,而是让你在微笑中,对这个充满矛盾的世界有了更深的洞察和宽容。这本书的智慧,就在于它能让你在笑声中,同时感受到人生的厚重。
评分这本书简直是本时间胶囊,翻开它就像直接走进了一个充满故事的旧世界。我特别喜欢作者那种娓娓道来的叙事方式,像是邻居老太太在摇椅上跟你分享她年轻时经历的那些奇闻轶事。书里描绘的那些生活场景,细节丰富到让人仿佛能闻到空气中尘封已久的书页和樟脑丸的味道。比如,她对三十年代某个小镇集市上摊贩吆喝声的刻画,那种活灵活现,简直是教科书级别的。我能想象出阳光洒在那些手工制作的陶器上,反射出暖暖的光泽,周围是熙熙攘攘的人群,每个人都有自己的小秘密藏在心底。书中对人物内心活动的挖掘也极其到位,不是那种直白的心理描写,而是通过人物的言行举止,不动声色地展现了他们的挣扎、喜悦和无奈。特别是对一段跨越了几十年的友谊的描写,那种在时代变迁中依然坚韧不拔的情感,读完后让人心里暖洋洋的,久久不能平静。这本书的魅力就在于它的“烟火气”,它不追求宏大的叙事,而是聚焦于普通人在历史洪流中的微小但真实的存在,读起来让人感到无比的亲切和慰藉。
评分我得说,这本书的文笔带着一种近乎古典的韵律感,读起来有一种沉静的力量。作者的句子结构变化多端,时而长篇大论,层层递进,将一个复杂的场景剖析得淋漓尽致;时而又突然用一句精悍的短句收尾,如同钟声敲响,掷地有声。这种节奏感让阅读体验非常享受,完全不是那种快餐式的文字。我尤其欣赏作者对自然景物的描绘,那些关于季节更迭、光影流动的文字,简直可以单独拎出来当散文诗来看。例如,书中对一场夏日暴雨来临前天空颜色的描述,从灰蒙蒙到铅灰色,再到最后那道撕裂天际的闪电,那种戏剧性的铺陈,让我忍不住放下书,望向窗外,仿佛自己正站在那个被雨水洗礼的屋檐下。这本书更像是一幅精心绘制的油画,色彩浓郁,层次分明,需要你静下心来,慢慢品味每一笔触的深意。它不仅仅是在讲述故事,更是在营造一种氛围,一种让你愿意暂时逃离喧嚣,沉浸其中的艺术境界。
评分这本书给我最大的冲击在于它对“选择”的探讨,虽然全书没有直接给出任何价值判断,但通过一系列角色的命运轨迹,它提出了一个深刻的问题:我们的人生中,那些看似微不足道的岔路口,究竟导向了何种不可逆转的未来?我读到主人公在人生的某个关键节点,面临着两个截然不同的邀约,一个是安稳的港湾,另一个是充满未知的远方。作者的高明之处在于,她没有选择简单的“好”与“坏”,而是展现了选择“安稳”后那些微妙的遗憾,以及选择“远方”后必须付出的代价。这种复杂性让人读完后陷入沉思,反思自己过往的每一个决定。这本书像一面镜子,映照出我们内心深处对“如果当时……”的执念。它没有提供标准答案,而是提供了一种观察人生的全新视角,教会我们接纳和理解那些未曾实现的可能,并更认真地对待眼前的每一步。
评分坦白讲,这本书的结构非常大胆,它不像传统小说那样线性叙事,反而像是一首交响乐,不同的人物线索和时间点像不同的声部,在特定的章节交汇、融合,制造出强烈的张力和共鸣。我第一次读到这种结构时还有点费力去梳理脉络,但一旦适应了这种跳跃式的叙事,你会发现它带来的信息密度是惊人的。作者似乎故意打乱了时间顺序,将结果先抛给你,然后再回溯去寻找那个“因”。这种“先果后因”的手法,极大地增强了悬念,每当你以为解开了一个谜团,作者立刻又抛出一个更深层的疑问。它要求读者必须保持高度的专注力,像侦探一样去拼凑碎片。这种阅读体验非常刺激,它挑战了我们习惯的阅读习惯,但最终的回报是丰厚的——一个更加立体、多维度的世界观。读完后,感觉自己的思维也被这种非线性的方式训练了一番。
评分共鸣从头到尾
评分好难懂。。
评分不好看 不好笑,笑不出来 也许哪天会考虑重看
评分共鸣从头到尾
评分不好看 不好笑,笑不出来 也许哪天会考虑重看
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