For more than a decade before World War I, Alfred Stieglitz lent much of his formidable energy to his public career as an editor, publisher, proselytizer, and art dealer. In the 1920s and 30s, he turned again to his own photography, exploring his personal world at Lake George, in the Adirondack mountains of New York, where he spent summers at a family farmhouse. He photographed the things around him--the landscape, the clouds overhead, the intimate life he led with family and friends, including Georgia O'Keefe, Waldo Frank, and Paul Rosenfeld. This body of work, radical and private, is the essential aspect of Stieglitz's achievement as a photographer, and has nowhere else been published as a coherent whole.
Essay by John Szarkowski.
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So many books about Stieglitz, only Szarkowski made real sense to me.
评分So many books about Stieglitz, only Szarkowski made real sense to me.
评分week 2 / 好好地在看Stieglitz最后跑偏去看了一堆欧姬芙，欧姬芙真是比他有趣太多了
评分week 2 / 好好地在看Stieglitz最后跑偏去看了一堆欧姬芙，欧姬芙真是比他有趣太多了
评分week 2 / 好好地在看Stieglitz最后跑偏去看了一堆欧姬芙，欧姬芙真是比他有趣太多了
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