Hanif Kureishi's first novel, is a tour de force of comic invention, a bizarre, often hilarious, and totally original picture of the life of a young Pakistani growing up in 1970s Britain.
Karim lives with his Mum and Dad in a suburb of south London and dreams of making his escape to the bright lights of the big city. But his father is no ordinary Dad, he is 'the buddha of suburbia', a strange and compelling figure whose powers of meditation hold a circle of would-be mystics spellbound with the fascinations of the East.
Among his disciples is the glamorous and ambitious Eva, and when 'the buddha of suburbia' runs off with her to a crumbling flat in Barons Court, Karim's life becomes changed in ways that even he had never dreamed of . . .
Hanif Kureishi was born and brought up in Kent. He read philosophy at King's College, London. He is the author of numerous novels, short story collections, screenplays and plays. In 1984 he wrote My Beautiful Laundrette, which received an Oscar nomination for Best Screenplay. His second film, Sammy and Rosie Get Laid, was followed by London Kills Me, which he also directed. The Buddha of Suburbia won the Whitbread Prize for Best First Novel in 1990 and was made into a four-part drama series by the BBC. His second novel, The Black Album, was published in 1995 and his first collection of short stories, Love in a Blue Time, was published in 1997. My Son the Fanatic, a story from that collection, was adapted for film and released in 1998. Intimacy, his third novel, was published in 1998, and was adapted for film in 2001. A second collection of short stories, Midnight All Day, was published in 2000, followed in 2001 by his fourth novel Gabriel's Gift.
Theatre is the key word. Karim is an actor--he has to trace back to his original accent, thus it seems like a weird performing. Let's look his Dad who also has to imitate the Indian accent in order to get the audience attention to the authentic Hinduism Rel...
评分Theatre is the key word. Karim is an actor--he has to trace back to his original accent, thus it seems like a weird performing. Let's look his Dad who also has to imitate the Indian accent in order to get the audience attention to the authentic Hinduism Rel...
评分Theatre is the key word. Karim is an actor--he has to trace back to his original accent, thus it seems like a weird performing. Let's look his Dad who also has to imitate the Indian accent in order to get the audience attention to the authentic Hinduism Rel...
评分Theatre is the key word. Karim is an actor--he has to trace back to his original accent, thus it seems like a weird performing. Let's look his Dad who also has to imitate the Indian accent in order to get the audience attention to the authentic Hinduism Rel...
评分Theatre is the key word. Karim is an actor--he has to trace back to his original accent, thus it seems like a weird performing. Let's look his Dad who also has to imitate the Indian accent in order to get the audience attention to the authentic Hinduism Rel...
这本书的对话部分简直是妙不可言,充满了那种令人会心一笑的黑色幽默,但笑声的背后往往隐藏着尖锐的讽刺。我感觉作者对人性的弱点有着近乎病态的洞察力,他笔下的人物,无论多么光鲜亮丽,总能暴露出那种普遍存在的脆弱和自我欺骗。我特别喜欢作者在叙事中穿插的那些看似无关紧要的哲学思考,它们像河流中的礁石,打断了故事的流畅性,却提供了必要的锚点,让读者得以思考故事的更深层含义。这本书成功地营造了一种令人窒息的紧迫感,即使在描述最平静的场景时,也能感受到一股暗流在涌动。它不迎合主流品味,甚至在某些地方显得故意晦涩难懂,但这恰恰是它价值所在——它要求读者主动去参与到意义的建构中来,而不是被动接受。读完后,我有一种强烈的冲动,想要立刻把书中的某些段落抄录下来,因为它们就像被精准命中的箴言,击中了现代人漂泊无依的共同困境。
评分这本小说,老实说,初读时我有些招架不住,那种带着点颓废又极其锐利的观察视角,像一把解剖刀,毫不留情地剖开了现代都市生活的表皮。作者的语言像是一种混合了街头智慧和学院派思辨的独特混合体,节奏时而急促如夏日雷阵雨,时而又慢得像是凝固的焦糖。故事的主角,他的成长轨迹充满了各种令人不安却又无比真实的挣扎。我印象最深的是他对“身份”这个概念的探讨,那种不断在不同面具间切换,试图找到一个真正可以安放自我的窘迫感,简直是直击灵魂。书中对于家庭关系的刻画尤其精彩,那些沉默的、无法言喻的张力,比任何激烈的争吵都更具杀伤力。它不是那种读完会让你心情愉悦的书,更像是一次精神上的洗礼,让你不得不直面自己内心深处那些不愿触碰的角落。每一次翻阅,我都能捕捉到新的细节,那些原本模糊的场景突然变得立体起来,带着一种潮湿的、难以名状的气味。这使得阅读体验变成了一种持续的、带有探索性质的冒险,让人欲罢不能,即便过程有些颠簸。
评分说实话,这本书的厚度一度让我望而却步,但一旦真正进入故事的脉络,时间仿佛被扭曲了。它有一种魔力,能将琐碎日常瞬间提升到史诗般的层次。作者的文学技巧达到了令人咋舌的高度,他能够用极其简练的句子构造出宏大的场景,比如某一个傍晚的光线穿过窗帘的方式,或是某次无意的眼神接触,都蕴含着深远的影响力。我最欣赏的是它对“艺术的救赎”这一主题的处理。主角在混乱的生活中,通过某种创造性的行为寻求庇护,这不仅仅是逃避,更是一种构建新现实的尝试。这种对“美”在“丑陋”中诞生的执着,赋予了全书一种近乎宗教般的力量。与那些情节驱动的小说不同,这部作品更注重体验和氛围的堆叠,它像一首结构复杂的大协奏曲,需要耐心聆听才能体会到不同乐章之间的呼应与张力。阅读过程本身就是一种对耐心的考验,但最终你会发现,你所付出的专注力,都化为了一种深刻的理解。
评分我一直寻找那种能够精准捕捉到“局外人”心境的作品,而这部作品无疑是近些年来最成功的尝试之一。它的叙事结构非常大胆,常常在现实与幻觉、清晰的事件流与内在意识的碎片之间自由穿梭,读起来需要高度集中注意力,但回报是巨大的。作者对社会阶层和文化隔阂的描摹,简直是教科书级别的精准。那些关于“融入”与“被排斥”的微妙界限被勾勒得淋漓尽致。我尤其欣赏作者处理次要人物的方式,他们并非工具人,而是带着自己完整的、破碎的生命轨迹,与主角的命运交织出复杂的人性图谱。这本书的魅力在于它的不妥协性,它拒绝提供廉价的安慰或简单的答案,反而将生活的本质——那种永恒的、徒劳的追寻——赤裸裸地展示出来。读完之后,我花了好几天时间才从那种略带迷幻的氛围中抽离出来,那种感觉就像刚从一场漫长而深刻的梦中醒来,世界似乎没有变化,但你看待它的目光已经彻底不同了。
评分阅读此书的体验,就像是潜入一片深海,光线逐渐减弱,周围的一切都变得模糊而充满未知,但你必须继续下潜。它的叙事节奏是一种慢炖的艺术,大量细节的堆砌并非冗余,而是为了最终在关键时刻爆发出强大的情感冲击力。作者对环境的描绘具有极强的感官代入性,你能闻到空气中的尘土味,感受到压抑的湿气,甚至听到城市夜间特有的嗡鸣声。这本书的叙事者有一种罕见的真诚,他既是批判者,也是受害者,这种双重身份让他的叙述充满了可信度。更令人称奇的是,它在处理个人成长与时代背景的关系时,做到了微妙的平衡,主角的命运被时代的大潮裹挟,但他的每一次微小反抗都清晰可见。它是一部关于“如何成为自己”的百科全书式的探索,充满了矛盾、激情与最终的,也许是微不足道的,和解。这是一本需要反复品味的书,每次阅读都会揭示出其叙事肌理中的新层次。
评分关于身份的小说。在一个大环境下,一个人对自身的探索。不停的尝试展示了时代的特征
评分关于身份的小说。在一个大环境下,一个人对自身的探索。不停的尝试展示了时代的特征
评分关于身份的小说。在一个大环境下,一个人对自身的探索。不停的尝试展示了时代的特征
评分关于身份的小说。在一个大环境下,一个人对自身的探索。不停的尝试展示了时代的特征
评分最喜欢的作家 最佳作
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