Alice's Adventures in Wonderland has delighted children and adults the world over for more than 100 years. Now, in an exqisite new edition of Lewis Carroll's masterwork, acclaimed Spanish illustrator Angel Dominguez captures all of the original's pungent wit and whimsy in his own surrealistic style. Artisan's beautifully designed and produced volume of Alice will be a treasured addition to the international body of classic children's literature.
Through seventy-five new watercolor illustrations, readers are reintroduced to the White Rabbit, the Mad Hatter, the Cheshire Cat, the Mock Turtle, and all the other fabulously curious creatures that inhabit Alice’s imaginary universe. Alice, modern literature’s prototype of the wise child, looks squarely at this lopsided dream-world, and proclaims, “Stuff and nonsense!” Dominguez’s vivid depictions of Wonderland’s odd residents perfectly complement the utterly logical yet blatantly absurd content of Carroll’s hallmark tale.
"Curiouser and curiouser!" cried Alice (she was so much surprised, that for the moment she quite forgot how to speak good English.) "Now I'm opening out like the largest telescope that ever was! Good-bye, feet!"
Alice and all her many friends will never be forgotten so long as books for children are published. The fascinating adventures of this timeless little girl as she plunges down the rabbit-hole, shrinks and grows, meets the pack of cards and the chess pieces -- should be read regularly by all ages for their totally original fantasy, their humor, and their charm.
Publishing a newly illustrated edition of a children's classic is a risky undertaking: Is there really a need, for example, for another excursion down the rabbit hole with Alice? However, when the work is graced with Weevers's elegant watercolors, the answer is a resounding yes. Encountering the sublime cover painting, the reader senses instantly that here is no commonplace Alice : only slightly bedraggled, the plucky heroine paddles valiantly through the pool of tears, with stately birds and a solitary mouse in tow. In this volume Weevers ( The Hare and the Tortoise , Herbert Binns and the Flying Tricycle ) has produced his most sophisticated and lavishly detailed paintings to date. A magnificently liveried, haughty lobster sneers as he grooms fastidiously; a dolorous King of Hearts and his indignant consort preside at a tasty trial, heedless of the courtroom banner proclaiming Amor vincit omnia --love will certainly not conquer this pair. Rendered in a traditional style, unlike the surrealistic approach chosen by Anthony Browne in his recent edition of Alice , these illustrations are set amidst a treasure trove of Victoriana: Alice plummets past a dusty bell jar surrounded by crumbling leatherbound volumes, the Duchess perches on a Chinese oriental carpet beside a tufted leather footstool. This is an Alice to revisit again and again. Ages 8-up.
Gr. 4-6, younger for reading aloud. There is no end to the available editions of Alice, of course, but here is one worth having. It is in a nice big format, with an exquisite typeface, easy to read and to hold in the lap. It has a genial and erudite introduction by Leonard Marcus, with a bit of biography of Carroll and some Alice publishing history, but, most of all, there are unusual, engrossing illustrations. Morell has taken the original Tenniel images, placed them in collage with realia, and photographed the resultant construction in black-and-white. The artifact of the book is used to great effect: the hole the White Rabbit descends is cut into a large book; the Tenniel caterpillar and Alice peering over the mushroom's edge poke up from the pages of a book in a swirl of smoke; the tea party table is a big old book with a checkerboard cover. This edition illuminates the familiar story in ways that point up its essential, strange "magick."
GraceAnne A. DeCandido
Grade 4 Up-- Edens has compiled and arranged illustrations from 25 editions of Alice in Wonderland published in the early to mid-1900s. The result is a fascinating look at a variety of illustrative styles. This is far less jarring than one might expect because the original illustrator, John Tenniel, has so strongly influenced his successors that their interpretations are often similar in design. In fact, the fascination in these pictures is the differing details--Alice's dress, her hairstyle, and her expressions tell much about the time period and the artist's viewpoint. Edens has also done a fine job of integrating the pictures with the text. He varies interest by utilizing full-page plates, half plates, vignettes, and even reducing some illustrations to fit the design so the book flows fairly well and these myriad illustrations blend into a whole rather than distract the eye. The reproduction is excellent. A must for collections with historical interest in children's literature and large libraries.
--Karen K. Radtke, Milwaukee Public Library
Reader Michael Page offers a rollicking performance of the 1865 children's classics, which don't seem dated in the least in his skillful hands. Every character is presented with a distinctly different tone, pacing and inflection. His narration is gently expressive; his British accent perfectly in keeping with the setting and characters. Happily, he doesn't slavishly imitate the well-known voices from the Disney cartoon version; his interpretation is distinct and complete in itself. This is a first-class presentation. D.W.
Lewis Carroll (the pseudonym of the Rev. Charles Lutwidge Dodgson) was a mathematics lecturer at Oxford University, but he is better known to the world as the author of Alice's Adventures in Wonderland (1865) and Through the Looking-glass (1871), as well as The Hunting of the Snark (1876).
Height (cm) 8.3 Width (cm) 7.3
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我之所以如此钟爱这本《爱丽丝梦游仙境》(精装),很大程度上是因为它所呈现的独特的美学风格。从封面设计到内页插图,再到文字的排版,每一个细节都透露着作者和出版方对艺术的追求。书中的插图,尤其是那些描绘奇幻生物和超现实场景的画面,充满了想象力和表现力,它们不仅仅是文字的补充,更是故事本身不可分割的一部分,为整个阅读体验增添了视觉上的冲击力和艺术上的深度。我特别喜欢书中那些充满象征意义的元素,比如扑克牌士兵的僵化和服从,以及各种奇特生物的拟人化,它们都以一种独特的方式,唤起了我对现实世界中一些现象的联想和反思。这本精装本,无论是在纸张的选择,还是在装订的工艺上,都显得尤为考究,它传递出一种对经典的尊重和对阅读体验的极致追求,让我在翻阅的过程中,感受到一种由内而外的愉悦。
评分《爱丽丝梦游仙境》(精装)的细节之处,真的让我爱不释手。我发现,每一次翻阅,都能在其中找到新的亮点。比如,那些充满想象力的插画,它们不仅仅是对文字的简单图解,而是将故事中的奇幻场景和古怪角色,以一种极其生动和富有艺术性的方式呈现出来。我特别喜欢画家对疯帽匠和三月兔那场永无止境的下午茶的描绘,那种混乱而又充满活力的氛围,跃然纸上,让人仿佛能听到他们喋喋不休的对话和餐具碰撞的声音。还有对红心皇后的描绘,那种刻板而又暴戾的形象,通过画笔变得如此鲜明。更不用说那些奇形怪状的生物,比如会消失的柴郡猫,它的表情和身体的虚实结合,简直是神来之笔。书的装订方式也非常牢固,即使经常翻阅,也不会有散架的风险,这对于一本我会反复阅读的书来说,是非常重要的。印刷的清晰度也非常高,字迹饱满,图案细腻,完全没有模糊不清的地方。这种精良的制作工艺,让阅读的体验更加纯粹和愉悦。它让我体会到,一本好书,不仅仅是内容,更是从里到外的全方位品质。
评分每一次阅读《爱丽丝梦游仙境》(精装),都像是在进行一场心灵的漫游。这本书所呈现的世界,是如此的自由,如此的颠覆,它打破了我们固有的思维模式,邀请我们去拥抱那些不合逻辑的奇妙。爱丽丝的旅程,与其说是一场物理空间的穿越,不如说是一次内在认知的重塑。她从一个现实世界的普通女孩,变成了这个荒诞世界的探索者,在这个过程中,她所展现出的勇气、好奇心和对真理的追求,都让我深感共鸣。我尤其欣赏书中那些充满智慧的对话,比如当爱丽丝询问柴郡猫“路该往哪里走”时,柴郡猫的回答,充分体现了“目标不明确,方向不重要”的哲学。这本书的精装版本,更是将这份沉浸感推向了极致。它厚实的书页,细腻的触感,以及那些精心绘制的插图,都为故事增添了更加丰富的层次和色彩。它让我觉得,我不仅仅是在阅读一个故事,更是在体验一种美妙的艺术。
评分《爱丽丝梦游仙境》(精装)带给我的,是一种超越年龄的深刻启迪。作为一本经典的童话故事,它在字里行间流淌着纯粹的童趣和无尽的想象力,但同时,它也以一种非常巧妙的方式,触及了许多关于逻辑、语言、社会规则甚至人生意义的讨论。爱丽丝在梦境中的一次次遭遇,都仿佛是对现实世界中某些荒谬现象的隐喻,无论是“无休止的茶会”所象征的僵化的社会互动,还是红心皇后对“斩首”的偏执,都引发了我深刻的思考。这本书的精装版本,在细节上做得非常出色。它的封面设计,既有艺术性又不失经典感,而书页的质感,以及印刷的清晰度,都使得阅读过程成为一种享受。它让我觉得,拥有一本如此精美的《爱丽丝梦游仙境》,本身就是一件值得庆幸的事情,它不仅充实了我的精神世界,也为我的生活增添了一抹亮色。
评分《爱丽丝梦游仙境》(精装)给我带来的,是一种难以言喻的纯粹的阅读乐趣。它就像一把钥匙,打开了我内心深处那个早已被现实磨砺得有些黯淡的童真世界。我沉浸在爱丽丝的视角里,跟随她一起经历那些令人啼笑皆非的遭遇,从掉进兔子洞的惊险,到参加那场混乱的茶会,再到与扑克牌军队的周旋,每一个情节都充满了不可预测性,也充满了孩童般的纯粹好奇。我喜欢书中那些看似无厘头却又暗含哲理的对话,比如疯帽匠和三月兔关于时间的争论,以及柴郡猫总是若有若无的出现和消失,这些都让故事的内涵更加丰富。这本书的精装设计,让我觉得它不仅仅是一本普通的童书,而是一件可以代代相传的艺术品。它所使用的纸张,触感细腻而有韧性,即使频繁翻阅,也能保持良好的状态。书页的边缘处理得非常光滑,没有毛刺感,这种对细节的关注,让阅读的过程更加舒适。
评分作为一本广受赞誉的经典,《爱丽丝梦游仙境》(精装)所带来的阅读体验,的确是独一无二的。它不仅仅是在讲述一个故事,更是在邀请读者一同踏入一个充满逻辑颠覆和荒诞魅力的世界。书中对规则和常识的挑战,以及对现实世界中那些看似合理却又荒谬的现象的影射,都让我思考良多。爱丽丝的旅程,与其说是一场冒险,不如说是一次对自我认知和外界认知的探索。她在不断变化的环境和遇到形形色色的角色的过程中,展现出的好奇心、勇气和偶尔的困惑,都充满了人性的光辉。我特别欣赏作者在语言上的运用,那些双关语、文字游戏和精心设计的对话,充满了智慧和幽默感,即使是成年人,也能从中体会到无穷的乐趣。这本书的精装版本,更是将这种阅读体验提升到了一个新的高度,它的触感、视觉效果,都传递出一种对文学经典的尊重和热爱。它让我感受到,阅读不仅仅是获取信息,更是一种精神上的享受和滋养。
评分这本《爱丽丝梦游仙境》(精装)给我带来的惊喜,远远超出了我对一本经典童书的预期。首先,从拿到书的那一刻起,它的质感就令人愉悦。厚实的封面,细腻的纸张,以及那些精心设计的插图,都透着一股沉甸甸的、值得珍藏的厚重感。每一次翻阅,手指触碰到书页的细微纹理,都能感受到一种仪式感,仿佛在开启一段穿越时空的旅程。书中的文字排版也非常舒适,虽然故事本身充满了天马行空的想象,但清晰易读的字体和合理的行间距,让我在沉浸于故事情节的同时,不会因为阅读上的障碍而分心。我尤其喜欢它所采用的译本,语言流畅自然,既保留了原著的童趣和幽默,又不会显得过于晦涩或陈旧,非常适合不同年龄段的读者。它不仅仅是一本书,更像是一件艺术品,摆在书架上,本身就是一种美的享受。每一次光顾书房,目光扫过它,都会被它散发出的独特魅力所吸引,让我想要再次拾起,重温那奇妙的冒险。它的装帧设计,无论是封面图案的选择,还是整体的色彩搭配,都恰到好处地烘托了故事的神秘与梦幻,让人在未读故事之前,就已经被它深深吸引。
评分《爱丽丝梦游仙境》(精装)所带来的,是一种久违的、纯粹的阅读乐趣,它让我重新找回了对想象力的热爱和对世界的好奇。这本书的魅力,在于它能够以一种轻松诙谐的方式,将最深刻的哲学命题和最离奇的故事情节巧妙地结合在一起。爱丽丝的旅程,与其说是一场物理上的冒险,不如说是一次对自身认知和对世界理解的探索。她所经历的每一次变化,每一次与古怪角色的对话,都充满了对常识和逻辑的挑战,也充满了对人生中那些不确定性和荒谬性的影射。这本书的精装版本,则将这种阅读体验提升到了一个全新的高度。它厚实的触感,精美的印刷,以及那些充满艺术感的插图,都让它成为了一件值得珍藏的艺术品。它不仅仅是一本书,更是我精神世界中的一个宝贵陪伴,每一次阅读,都能从中获得新的感悟和乐趣。
评分我对于《爱丽丝梦游仙境》(精装)的喜爱,很大程度上源于它所营造的独特氛围。这个由作者精心构建的奇幻世界,充满了不可思议的转折和意想不到的惊喜。每一次翻开这本书,我都会被带入一个充满逻辑断裂和规则错乱的领域,在那里,一切皆有可能,也一切都显得那么理所当然。爱丽丝的每一次遭遇,都是对我们习以为常的现实的一种挑战和反思。比如,她因为身体时大时小而产生的困扰,映射了我们在成长过程中所经历的身份认同和外部环境的冲突。而书中那些古怪的角色,如总是迟到的白兔先生,逻辑混乱的公爵夫人,以及反复无常的红心皇后,都以一种夸张而又讽刺的方式,展现了人类社会中的某些典型特征。这本书的精装本,更是将这种氛围感发挥到了极致。它厚实的封面,精美的插图,以及高质量的印刷,都共同营造出一种沉浸式的阅读体验,让我能够更深入地感受故事的魅力。
评分《爱丽丝梦游仙境》(精装)带给我的,是一种智力与情感的双重满足。我喜欢这本书不仅仅是因为它的奇幻故事,更因为它所蕴含的深刻寓意。作者巧妙地运用了大量的文字游戏、双关语和讽刺手法,使得故事在表面童趣盎然的同时,也充满了对社会、规则和语言本身的探讨。爱丽丝在梦境中的经历,就像是对现实世界的一种解构和重塑,她不断地质疑、困惑,但也从未停止探索。我特别喜欢书中对“意义”的讨论,以及那些关于身份、规则和权力的问题,它们都以一种非常隐晦而又引人深思的方式被呈现出来。这本精装版的《爱丽丝梦游仙境》,在装帧设计上就透露出一种对经典的敬意。无论是书脊的设计,还是封面上充满艺术感的插画,都让人感受到它的非凡价值。它不仅仅是一本读物,更是一件可以摆在书桌上,随时欣赏的艺术品。
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