Drosscape

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出版者:Princeton Architectural Press
作者:Alan Berger
出品人:
頁數:0
译者:
出版時間:2006-06-01
價格:USD 34.95
裝幀:Hardcover
isbn號碼:9781568985725
叢書系列:
圖書標籤:
  • MLA 
  • Landscape 
  • 棕地 
  • urbanism 
  • 專業 
  • landscape-theory 
  • diagram 
  • Reading 
  •  
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Do you really know what is under that new house you just bought? How about what lies beneath the neighborhood playground? Was that "big box" retailer down your street built over a toxic site? These are just a few of the worrisome scenarios facing us all as our cities begin to redevelop old toxic waste sites—places Alan Berger has coined "drosscapes." Drosscape: Wasting Land in Urban America is your guide to this vast, hitherto largely ignored field of waste landscapes.

Landscape architects must learn to accommodate these wastelands along with the more traditional challenges of site and construction. This will require a radical reconceptualization of thinking about landscape before potential solutions can be effectively addressed or devised. Ten cities are exam-ined both visually and analytically through the use of aerial photography and geospatially derived maps, charts, and graphs.

Lured by tax incentives and the benefits of inadequate public awareness, corporate America is rapidly developing these toxic sites. It is our right to know about these danger zones underneath our communities and our duty to stay vigilant. Drosscape makes clear it is also a design challenge of the most pressing order.

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成熟男人的完整邏輯

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nice perspective

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在wasteland、brownfield、residual space等一眾詞中,drosscape突齣其與(水平嚮)城市化伴生,且具有scape/resurface化的潛質,要求人們用動態、發展的眼光將其看作土地生命過程的一部分,以及城市化過程的透鏡。這與被納入“景觀都市主義”麾下的眾多思想相一緻,且同樣具有“‘動態性’‘過程性’在抽象思考中易被接受,但在具象實踐中又是空洞和近乎‘玄學’”的問題。設計師要怎樣做好代言和協調者,而不被抽象的過程(尤其這個消費時代的圖像/空間生産)裹挾……

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逆工業化和後福特主義下的城市邊緣帶“棕地”,廢棄之景觀,but could be understood as a natural component of every dynamically evolving city

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在wasteland、brownfield、residual space等一眾詞中,drosscape突齣其與(水平嚮)城市化伴生,且具有scape/resurface化的潛質,要求人們用動態、發展的眼光將其看作土地生命過程的一部分,以及城市化過程的透鏡。這與被納入“景觀都市主義”麾下的眾多思想相一緻,且同樣具有“‘動態性’‘過程性’在抽象思考中易被接受,但在具象實踐中又是空洞和近乎‘玄學’”的問題。設計師要怎樣做好代言和協調者,而不被抽象的過程(尤其這個消費時代的圖像/空間生産)裹挾……

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