A historical photograph shows a room in a steel and glass building and a man which is evidently the architect Mies van der Rohe. Only the name of the photographer is known. In a manner more usually found in detective novels, the author considers the evidence given in the photograph, making deductions and gradually revealing in which room the architect is standing, in which building it is to be found, what the architect is looking at, what his stance and his gaze tell us about his person, his work. Step by step, the author systematically investigates the photograph, drawing fascinating conclusions and making astonishing revelations about the architecture, the man and his character from this one photograph. His hypothesis is illustrated and supported by further visual material.
具體描述
讀後感
这本不花钱从图书馆借来的书因为文字内容少，英文读的也很快。从没想给，一张照片还能自然而然的讲述这么多关于建筑的细节和建筑师个人的故事。looking for 的最后其实还是去追求设计的本质吧。当然，与摄影的联系也再次突出了建筑的综合性。
評分这本不花钱从图书馆借来的书因为文字内容少，英文读的也很快。从没想给，一张照片还能自然而然的讲述这么多关于建筑的细节和建筑师个人的故事。looking for 的最后其实还是去追求设计的本质吧。当然，与摄影的联系也再次突出了建筑的综合性。
評分这本不花钱从图书馆借来的书因为文字内容少，英文读的也很快。从没想给，一张照片还能自然而然的讲述这么多关于建筑的细节和建筑师个人的故事。looking for 的最后其实还是去追求设计的本质吧。当然，与摄影的联系也再次突出了建筑的综合性。
評分这本不花钱从图书馆借来的书因为文字内容少，英文读的也很快。从没想给，一张照片还能自然而然的讲述这么多关于建筑的细节和建筑师个人的故事。looking for 的最后其实还是去追求设计的本质吧。当然，与摄影的联系也再次突出了建筑的综合性。
評分这本不花钱从图书馆借来的书因为文字内容少，英文读的也很快。从没想给，一张照片还能自然而然的讲述这么多关于建筑的细节和建筑师个人的故事。looking for 的最后其实还是去追求设计的本质吧。当然，与摄影的联系也再次突出了建筑的综合性。
用戶評價
When the wall is absent,the smoke from his Montecristo cigar makes up for it. World,eye and architecture are now one. Perhaps Mies no longer needs to look.
评分When the wall is absent,the smoke from his Montecristo cigar makes up for it. World,eye and architecture are now one. Perhaps Mies no longer needs to look.
评分When the wall is absent,the smoke from his Montecristo cigar makes up for it. World,eye and architecture are now one. Perhaps Mies no longer needs to look.
评分When the wall is absent,the smoke from his Montecristo cigar makes up for it. World,eye and architecture are now one. Perhaps Mies no longer needs to look.
评分When the wall is absent,the smoke from his Montecristo cigar makes up for it. World,eye and architecture are now one. Perhaps Mies no longer needs to look.
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