Will You Miss Me When I'm Gone?

Will You Miss Me When I'm Gone? pdf epub mobi txt 电子书 下载 2026

出版者:Simon & Schuster
作者:Mark Zwonitzer
出品人:
页数:0
译者:
出版时间:2002-07-02
价格:USD 25.00
装帧:Hardcover
isbn号码:9780684857633
丛书系列:
图书标签:
  • 挚爱
  • TheCarterFamily
  • 成长
  • 家庭
  • 死亡
  • 悲伤
  • 回忆
  • 失去
  • 亲情
  • 情感
  • 人生
  • 治愈
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具体描述

Will You Miss Me When I'm Gone? is the first major biography of the Carter Family, the musical pioneers who almost single-handedly established the sounds and traditions that grew into modern folk, country, and bluegrass music -- a style celebrated in O Brother, Where Art Thou?

A.P. Carter was a restless man, seemingly in a constant state of motion. On one of his travels across the sparsely settled mountains and valleys that surrounded his home in southern Virginia, he met and married a young girl named Sara Dougherty. Orphaned as a child, Sara was remote by nature but seemed to find release in singing the typically melancholy ballads that were a part of her home tradition.

For fun, A.P., Sara, and her cousin Maybelle (who married A.P.'s brother "Eck" Carter) would play and sing the hymns and ballads known in their Poor Valley community, occasionally adding songs A.P. had collected during his travels. Then, in 1927, they traveled to Bristol, Tennessee, to audition for a New York record executive who was hunting "hillbilly" talent and offering an amazing fifty dollars per song for any he recorded. These Bristol recording sessions would become generally accepted as the "Big Bang" of country music, producing two of its first stars: Jimmie Rodgers and the Carter Family.

By the early 1930s, the Carter Family was the most bankable country music group in America, with total sales of more than a million records. By the late '30s, they were appearing regularly on high-power radio station XERA, which broadcast from coast to coast. A whole generation of country people could gather around the radio and hear the sound of music that came straight from their world. Johnny Cash in Arkansas, Waylon Jennings in Texas, Chet Atkins in Georgia, and Tom T. Hall in Kentucky all listened to the Carter Family. It was their formal schooling, Country Music 101.

Inside the Carter Family, however, things were hardly perfect. Though nobody outside the family knew it, Sara had left her difficult and quixotic husband in 1933. In 1936 she won a divorce. Even throughout the long and painful breakup, the Carters kept performing together, singing an ever-widening range of new songs they wrote or old songs they remade: songs of love, of betrayal, and of the death of fondest hopes. And they kept at it even after Sara married A.P.'s cousin Coy Bays in 1939. After fulfilling a final radio contract in 1943, Sara and Coy moved to California to settle near his family. The original Carter Family never performed or recorded together again.

With Sara gone, A.P. retreated home, opened a general store, and lived out the next two decades in obscurity, the odd man out in a new and reconfigured Carter musical clan. Meanwhile, Maybelle and her daughters (Helen, June, and Anita) went out and got themselves new radio contracts, working in Richmond, Virginia; Knoxville, Tennessee; and Springfield, Missouri, before ascending to country music's ultimate stage, Nashville's Grand Ole Opry. Nearly fifty years in the business won Maybelle the title "Mother of Country Music" and the adoration of generations of guitar players and just plain listeners.

The story of the Carter Family is a bittersweet saga of love and fulfillment, sadness and loss. Will You Miss Me When I'm Gone? is more than just a biography of a family; it is also a journey into another time, almost another world. But their story resonates today and lives on in the timeless music they created.

追寻遗失的旋律:失落的音乐遗产与家族的秘密 内容简介: 《追寻遗失的旋律》是一部扣人心弦的家族史诗,它深入探索了二十世纪初欧洲一个充满天赋却命运多舛的音乐世家的兴衰。故事围绕着核心人物——作曲家伊利亚·冯·霍夫曼展开,一个被誉为“被上帝亲吻过的耳朵”的天才,他的音乐被认为是连接人与超越界限的桥梁。然而,伊利亚的辉煌人生却被突如其来的失踪所终结,留给后世的,除了几部未完成的手稿和一段被尘封的谜团,还有对一个时代最纯粹艺术的无尽追忆。 第一部:失落的和弦(1905-1925) 故事始于繁华的维也纳,一个充斥着古典主义余晖与现代主义先声的交汇点。伊利亚·冯·霍夫曼出生于一个没落的贵族家庭,他继承了母亲出色的钢琴天赋和父亲对民间音乐的深刻理解。少年时代的伊利亚,沉浸在导师——一位脾气古怪的、曾与马勒共事的钢琴大师——的严苛教导下。他不仅技艺精湛,更有一种近乎预言性的音乐洞察力,能够捕捉到时代脉搏中那些细微的颤动。 在第一次世界大战爆发前夕,伊利亚创作出他的第一部大型交响诗《星尘的哀歌》,这部作品以其复杂的情感层次和前卫的和声结构,震惊了保守的乐坛。然而,战争的阴影迅速笼罩了一切。伊利亚拒绝了当时流行的民族主义狂热,将他的音乐视为人类共通情感的表达。他与一位来自东欧、拥有神秘背景的歌剧女高音艾琳娜·瓦尔科娃相恋。艾琳娜不仅是他的缪斯,更是他音乐理念的坚定支持者。 战争期间,冯·霍夫曼家族的庄园被征用,伊利亚的妹妹,一位才华横溢的小提琴家,在战火中失去了听力,这成为伊利亚心中永远的伤痛。战后,尽管欧洲经济凋敝,伊利亚却迎来了创作的黄金期。他将重心转向室内乐,试图在破碎的世界中寻找秩序与和谐。他与艾琳娜在布拉格和巴黎的沙龙中频繁出现,他们的音乐会场场爆满,但同时也吸引了权力机构的注意。 第二部:禁忌的共鸣(1926-1935) 随着极权主义思潮在欧洲蔓延,伊利亚的音乐开始被贴上“颓废”和“国际主义”的标签。他的作品中那种对个体自由的歌颂,与新兴政权的集体主义宣传格格不入。艾琳娜的东欧背景使她成为众矢之的。在一次关键的柏林首演中,他们的音乐会遭到冲击,险些引发骚乱。 为了保护艾琳娜,也为了继续不受约束地创作,伊利亚秘密地接受了一个来自意大利神秘赞助人的邀请,前往地中海沿岸的一个隐秘别墅。在那里,他开始创作他一生中最宏大也最晦涩的作品——歌剧《光影之间》。这部歌剧探讨了灵魂的重量、记忆的失真,以及艺术如何能在黑暗中幸存。 这段时间,家族的秘密也开始浮出水面。伊利亚的父亲,那位没落贵族,似乎与战前的一桩金融丑闻有关,这桩丑闻牵扯到家族的遗产和伊利亚创作的早期资金来源。伊利亚发现,他一直珍视的艺术纯洁性,可能建立在不光彩的过去之上。他试图通过音乐来赎罪,但真相的重量几乎压垮了他。 在孤独和创作的高压下,伊利亚与艾琳娜的关系也出现了裂痕。他们对未来走向的分歧,最终演变成一场关于艺术本质的激烈争论。1935年的一个秋夜,伊利亚在意大利的别墅中留下了一封简短的信,信中只提到“必须去完成最后的乐章”,随后便彻底消失了。艾琳娜在别墅中发现的,只有一架被打开的钢琴,琴键上散落着未曾归位的乐谱碎片。 第三部:残存的遗产(1936-至今) 伊利亚的失踪立刻成为欧洲文化界的爆炸性新闻。有人说他被秘密警察带走,有人说他厌倦了尘世,隐居到了南美洲。他的音乐被禁,他的名字从官方记录中被抹去。艾琳娜在悲痛中挣扎,她没有放弃寻找,但所有线索都如同被风吹散的音符,难以捕捉。她带着伊利亚未完成的歌剧草稿,辗转流亡。 时间快进到当代。故事的视角转向伊利亚的曾孙女,一位在纽约从事音乐档案修复工作的年轻学者,名叫莉娜。莉娜从小就知道她家族有一个“黑洞”——那位失踪的伟大作曲家。在整理祖母(艾琳娜的女儿)留下的遗物时,莉娜发现了一个上锁的木盒,里面藏着一封泛黄的信件和一个极度烧损的、写有奇怪符号的乐谱夹。 莉娜开始着手调查。她发现伊利亚的失踪可能与他最后一部作品《光影之间》的某种“信息”有关。这部歌剧不仅是艺术作品,更可能是一份记录了战前秘密交易、政治腐败甚至是一个更大阴谋的密码本。她的调查将她带回了欧洲——从布拉格的尘封档案馆到威尼斯的隐秘图书馆,她追随着伊利亚留下的“回声”:只在特定环境、特定乐器组合下才能被完整重现的音乐片段。 在追寻的过程中,莉娜遇到了几位神秘的人物:一位年迈的、与伊利亚当年有交往的音乐家后代,他似乎知道的比他说的要多;一位对二十世纪初艺术品走私感兴趣的独立调查员;以及一个试图彻底销毁所有与伊利亚有关记录的,似乎有着官方背景的组织。 莉娜最终意识到,伊利亚并非简单地失踪,而是选择了一种极端的方式,将自己与他认为不纯净的世界隔离开来,用他的艺术作品作为时间胶囊,等待着一个更清明的时代来解读。她必须解开的不仅是音乐的谜团,更是家族背负了近一个世纪的愧疚与沉默。她必须决定,是让这份危险的真相永远埋藏,还是冒着巨大的风险,让伊利亚·冯·霍夫曼的“最后的乐章”重见天日,即使那旋律会再次撕裂平静的生活。 主题提炼: 本书探讨了艺术的纯粹性与政治现实的冲突,家族责任的代际传递,以及记忆和历史如何通过非传统的媒介(如音乐)得以保存和重构。它是一部关于执着、牺牲以及寻找失落之美的长篇探索。

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