Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever-we just can't see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times's coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.
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评分key reading of american movie industry
评分緻敬
评分喜歡Rosenbaum永遠humble的寫作風格，對讀者對電影觀眾的尊重，即使是寫如此批判性的關於misunderstanding的話題也能在犀利的同時保持溫柔。在美國電影文化形成的主流敘事裏指齣瞭幾個關鍵性的誤解。不談主義不甩術語，提到一個好像有約定俗成含義的概念的時候還要先說齣自己的定義（比如 independent film，national cinema）的影評人真是太可愛。
评分key reading of american movie industry
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