History and Its Images pdf epub mobi txt 电子书 下载 2025
Francis Haskell is professor of the history of art at Oxford University. His numerous publications include Patrons and Painters: A Study in the Relations between Italian Art and Society in the Age of the Baroque, Rediscoveries in Art, Past and Present in Art and Taste: Selected Essays, and, with Nicholas Penny, Taste and the Antique: The Lure of Classical Sculpture, 1500-1900.
- 艺术史
- 哈斯克尔
- 历史及其图像
- 艺术社会史
- 图像
- Francis_Haskell
- 计划中
- 艺术史经典
Over the last four centuries, historians have increasingly turned to images in their attempts to understand and visualize the past. In this wide-ranging and engrossing book, a distinguished art historian surveys the various ways that they have adopted for making use of this material, and he examines the specific objects that became available to them through excavation, the creation of private collections and public museums, easier means of travel, and the startling displacements brought about by vandalism and art exhibitions.
Francis Haskell begins by discussing the antiquarians of the sixteenth and seventeenth centuries who brought to light and interpreted as historical evidence coins, sculptures, paintings discovered in the catacombs beneath Rome, and other relics surviving from earlier ages. He explains that, in the eighteenth century, historians gradually began to acknowledge the significance of such visual sources and to draw on them in order to validate and give color to their narratives or to utilize them as foundation stones for a new branch of learning—the history of culture. Later writers followed the example of Michelet in making inferences from the visual arts to indicate the whole mentality of an age, while (more erratically) others saw in them the harbingers of political, religious, or social upheavals. Haskell concludes by discussing those cultural historians of the nineteenth and early twentieth centuries, Burckhardt and Huizinga above all, who did not merely give the visual arts a prominent and necessary place in their interpretations of the past, but in some ways actually interpreted the past through the visual arts.
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从钱币到北方文艺复兴绘画，作为历史想象的艺术作品，这样庞大的题目和信息量要写起来谈何容易。有包罗万象的感觉，其实图像和历史之间千百年以来给我的感觉一直是处于不同程度的struggle状态下，以及人对图像在历史想象中扮演的角色的再次定义和认识。哈斯克尔这本书估计和painters and patrons当年出版的时候一样，给很多后来的学者提供了具体问题的起点。文笔非常优美，但是也不能说没有缺点，英国老牌学者在写narrative history的习惯之一就是时不时会跑题，其实有的背景并不需要介绍的太过于详细，这样反而会让焦点变模糊
评分有文化且有才华 词汇量巨大 嘲讽起来很优雅 读来觉得自己是文盲
评分从钱币到北方文艺复兴绘画，作为历史想象的艺术作品，这样庞大的题目和信息量要写起来谈何容易。有包罗万象的感觉，其实图像和历史之间千百年以来给我的感觉一直是处于不同程度的struggle状态下，以及人对图像在历史想象中扮演的角色的再次定义和认识。哈斯克尔这本书估计和painters and patrons当年出版的时候一样，给很多后来的学者提供了具体问题的起点。文笔非常优美，但是也不能说没有缺点，英国老牌学者在写narrative history的习惯之一就是时不时会跑题，其实有的背景并不需要介绍的太过于详细，这样反而会让焦点变模糊
评分从钱币到北方文艺复兴绘画，作为历史想象的艺术作品，这样庞大的题目和信息量要写起来谈何容易。有包罗万象的感觉，其实图像和历史之间千百年以来给我的感觉一直是处于不同程度的struggle状态下，以及人对图像在历史想象中扮演的角色的再次定义和认识。哈斯克尔这本书估计和painters and patrons当年出版的时候一样，给很多后来的学者提供了具体问题的起点。文笔非常优美，但是也不能说没有缺点，英国老牌学者在写narrative history的习惯之一就是时不时会跑题，其实有的背景并不需要介绍的太过于详细，这样反而会让焦点变模糊
评分有文化且有才华 词汇量巨大 嘲讽起来很优雅 读来觉得自己是文盲
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