Name:
Ian McEwan
Also Known As:
Ian Russell McEwan
Current Home:
Oxford, England
Date of Birth:
June 21, 1948
Place of Birth:
Aldershot, England
Education:
B.A., University of Sussex, 1970; M.A., University of East Anglia, 1971
Awards:
Somerset Maugham Award, 1976; Whitbread Award, 1987; The Booker Prize, 1998; Fellow, Royal Society of Literature; National Book Critics' Circle Fiction Award, 2003
ne of the most distinguished novelists of his generation, Ian McEwan was born in England and spent much of his childhood traveling with his father, an army officer stationed in the Far East, Germany, and North Africa. He graduated from Sussex University in 1970 with a degree in English Literature and received his MA in Creative Writing from the University of East Anglia.
McEwan burst upon the literary scene in the mid-1970s with two short story collections that highlighted with equal clarity his early predilection for disturbing, somewhat shocking subject matter and his dazzling prose style. Similarly, his 1978 debut novel, The Cement Garden, attracted as much attention for its unsettling storyline as for its stylistic brilliance. But even though his early work was saturated with deviant sex, violence, and death (so much so that he earned the nickname "Ian MacAbre"), he was never dismissed as a mere purveyor of cheap thrills. In fact, two of his most provocative works (The Comfort of Strangers and Enduring Love) were shortlisted for major U.K. awards.
As he has matured, McEwan has moved away from disquieting themes like incest, sadism, and psychotic obsession to explore more introspective human dramas. In an interview with The New Republic he described his literary evolution in this way:
"One passes the usual milestones in life: You have children, you find that whether you like it or not, you have a huge investment in the human project somehow succeeding. You become maybe a little more tolerant as you get older. Pessimism begins to feel something like a badge that you perhaps do not wear so easily. There is something delicious and reckless about the pessimism of being 21. And when you get older you feel maybe a little more delicate and hope that things will flourish. You don't want to take a stick to it."
Among many literary honors, McEwan has been awarded the Somerset Maugham Award for First Love, Last Rites (1976) and the Whitbread Prize for The Child in Time (1987). Nominated three times for the Booker Prize, he finally won in 1998 for Amsterdam. He has also received the WH Smith Literary Award and National Book Critics' Circle Fiction Award for Atonement (2001) and the James Tait Black Memorial Prize for Saturday (2005).
Good To Know
While developing the Harry Perowne, the neurosurgeon in Saturday, McEwan actually spent a year observing a neurosurgeon at work, which included time spent in the operating theater.
Although he is known principally for his novels, McEwan has also brought his vision to the screen as writer of the films The Ploughman's Lunch (1983) and Soursweet (1988).
Hollywood loves McEwan. Film adaptions of his novels include The Cement Garden, The Comfort of Strangers, The Innocent, Enduring Love, and Atonement.
McEwan is no stranger to controversy. In 1999, his first wife kidnapped their 13-year-old son.The child was returned and McEwan awarded sole custody. His ex-wife was fined for "defamation" of McEwan's name.
In 2002, Ian McEwan discovered that he had a brother born from an affair between McEwan's parents that occurred before their marriage and given up for adoption during WWII. Since their relationship has come to light, McEwan and his brother have met frequently and forged a friendship.
一个很暧昧的标题。上大学的时候第一次在图书馆看到这本书,首先被标题震惊,好奇(图书馆不可能进黄书),然后借回去了。迫不及待翻看《床笫之间》这则,晦涩,啃不下去,没看完就还掉了。时隔三四年研究生快毕业了,因为“床笫”还是“床第”的纠结,我下载了电子书,耐着性...
评分一个很暧昧的标题。上大学的时候第一次在图书馆看到这本书,首先被标题震惊,好奇(图书馆不可能进黄书),然后借回去了。迫不及待翻看《床笫之间》这则,晦涩,啃不下去,没看完就还掉了。时隔三四年研究生快毕业了,因为“床笫”还是“床第”的纠结,我下载了电子书,耐着性...
评分读完后我只有一个念头:这简直是一场文字的迷宫,而且我甘愿迷失其中。我通常对那种情节驱动力特别强的小说更感兴趣,但这本书完全颠覆了我的习惯。它更像是一部意识流的作品,重点不在于“发生了什么”,而在于“感觉如何”。作者的句法结构变化多端,有时长句层层嵌套,如同藤蔓般缠绕着读者的思维,让你在理解一个完整意思之前,必须先穿越好几个转折和从句;而有时,又是极短、极碎的句子,像子弹一样精准地击中你内心最柔软的部分。我必须承认,阅读过程是需要高度集中精神的,它不像快消品那样容易消化,反而需要你像对待一瓶陈年的威士忌,慢慢地啜饮,细细地品味其中的层次。特别是关于记忆和时间流逝的探讨那几章,写得尤其具有哲学意味,它似乎在质疑我们对现实的认知是否可靠,那些被我们牢牢抓住的“事实”,在作者的笔下变得如此脆弱和可疑。那种探索边缘地带、挑战既有观念的写作手法,着实让我感到兴奋和敬畏。
评分这本书给我的感觉是,它成功地构建了一个完整的、自洽的微观宇宙,而我们,作为读者,只是被邀请进入这个宇宙进行一次为期不短的“社会学考察”。人物之间的互动,不是通过大量的对话来推动,更多的是通过行动背后的动机、那些未完成的肢体语言来构建的。我发现自己常常会停下来,不是因为我不理解情节,而是因为我需要时间去揣摩某个人物在做某个决定时,内心到底经历了多少权衡。作者对社会阶层和微妙的人际权力关系的描绘尤其到位,那种无形的压力、那种只有圈内人才能察觉的鄙夷和顺从,被描绘得入木三分。这种深度,让我联想到了某些经典文学作品,它对人类社会关系的洞察力是跨越时代的。它不是一本让你读完就能立刻“放下”的书,它更像一个持续发酵的酵母,在你生活的日常中时不时地冒出新的理解和感悟,让你重新审视你周围的人际网络。
评分如果用一个词来形容这本书的阅读体验,我会选择“压抑的华丽”。不是那种直白的、让你喘不过气来的压抑,而是一种精致到近乎病态的美感。从装帧设计(如果我能看到实体书的话,我猜想它一定采用了某种深沉的色彩和粗粝的纸质)到文字的编排,都透露着一种精心雕琢的痕迹。我尤其注意到了作者在处理道德困境时的手法。他没有简单地将角色划分为好人或坏人,而是把他们置于一个灰色的地带,让他们在自身的欲望和外界的期待之间痛苦地撕扯。这种复杂性是如此真实,让你不得不审视自己内心那些不愿承认的阴暗面。有一段关于家庭秘密的揭示,不是那种戏剧化的尖叫和哭喊,而是一种缓慢的、如同冰块融化般的渗入,那种悄无声息的崩溃,比任何激烈的场面都来得更具冲击力。这本书需要你在深夜里,关掉所有电子设备,在唯一的光源下阅读,这样才能捕捉到那些潜藏在文字缝隙中的颤音。
评分我必须得说,这本书的节奏掌握得如同顶级音乐家的指挥,张弛有度,充满了出乎意料的休止符。它不是那种一味追求高潮的流行小说,它更像是某种实验性的爵士乐。有段落的叙述是如此的跳跃和不连贯,让我一度以为是自己漏看了什么关键信息,但冷静下来再读,才明白这正是作者意图营造的“心智碎片化”的状态。这种写作技巧,要求读者放弃对传统线性叙事的依赖,转而接受一种更接近人类真实思维模式的表达方式——充满联想、跳跃和情绪的波动。我特别欣赏作者对“时间”这个元素的处理,它不是一个固定的标尺,而是可以被拉伸、被压缩、甚至被逆转的情感载体。看完后,我仿佛完成了一次精神上的“长跑”,虽然筋疲力尽,但那种挑战自我认知极限后的满足感,是无与伦比的。这本书对于那些厌倦了平庸叙事,渴望在文字中寻找智力刺激的读者来说,绝对是一份不容错过的盛宴。
评分这部小说,说实话,我读起来感觉像是在攀登一座迷雾笼罩的高山。开头的部分,作者对人物心理的刻画细腻得让人心惊,每一个微小的犹豫、每一个不经意的眼神闪躲,都被捕捉得清清楚楚。我记得有一段描写主角在雨夜里独自行走的场景,那种冷冽、那种无助,透过文字几乎能让我感受到皮肤上的湿冷和心底的空茫。叙事节奏的处理非常高明,它不是那种一蹴而就的爆发,而是像一条缓缓流淌的河流,时不时地在平静的水面上投下一块小石子,激起一圈圈难以名状的涟漪。我特别欣赏作者对于环境描写的功力,那些建筑的纹理、光线的角度,都不仅仅是背景板,它们仿佛是独立于人物之外的、有生命的实体,默默地见证着一切,并以一种冷漠的姿态映照着人物内心的波澜。这本书的魅力在于它的留白,它不急于给出答案,而是将许多模糊地带留给了读者自己去填补,这种互动性极大地增强了阅读的沉浸感。它让人不得不停下来,合上书本,盯着天花板思考,那些未说出口的话到底意味着什么。读完之后,久久不能平复,感觉自己好像刚刚经历了一场漫长而深刻的自我对话。
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