Gutenberg in Shanghai

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Christopher Reed, who holds a doctorate in art history from Yale University, is currently associate professor of English and visual culture at the Pennsylvania State University. His previous books include Bloomsbury Rooms: Modernism, Subculture, and Domesticity (winner of the 2006 Historians of British Art Book Prize in the single author, post-circa 1800 subject category) and the edited volumes A Roger Fry Reader and Not at Home: The Suppression of Domesticity in Modern Art and Architecture (both 1996).

出版者:UBC Press
作者:Christopher A. Reed
出品人:
页数:416
译者:
出版时间:2004-4-1
价格:USD 26.00
装帧:Paperback
isbn号码:9780824828332
丛书系列:
图书标签:
  • print-culture 
  • 历史 
  • 印刷政治 
  • 海外中国研究 
  • 中国近代史 
  • 海外中國研究 
  • 文化史 
  • 学术 
  •  
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In the mid-1910s, what historians call the "Golden Age of Chinese Capitalism" began, accompanied by a technological transformation that included the drastic expansion of China’s "Gutenberg revolution." Gutenberg in Shanghai is a brilliant examination of this process. It finds the origins of that revolution in the country’s printing industries of the late imperial period and analyzes their subsequent development in the Republican era.

Under diverse social, political, and economic influences, this technological and cultural revolution saw woodblock printing replaced with Western mechanical processes. This book, which relies on documents previously unavailable to both Western and Chinese researchers, demonstrates how Western technology and evolving traditional values resulted in the birth of a unique form of print capitalism whose influence on Chinese culture was far-reaching and irreversible. Its conclusion contests scholarly arguments that view China’s technological development as slowed by culture, or that interpret Chinese modernity as mere cultural continuity.

A vital reevaluation of Chinese modernity, Gutenberg in Shanghai will appeal to scholars of Chinese history. Likewise, it will be enthusiastically received by specialists in cultural studies, political science, sociology, the history of the book, and the anthropology of science and technology.

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【摘要】芮哲非《谷腾堡在上海》的中译本终于在2014年面世,这为我们进一步了解此书提供了极大的便利。该书对安德森“印刷资本主义”概念的重新界定,不仅使之清晰化,而且借此打开了讨论“技术的社会史”的空间。尤为重要的是,作者将理论与中国近代印刷、出版状况有机结合,...  

评分

评分

【摘要】芮哲非《谷腾堡在上海》的中译本终于在2014年面世,这为我们进一步了解此书提供了极大的便利。该书对安德森“印刷资本主义”概念的重新界定,不仅使之清晰化,而且借此打开了讨论“技术的社会史”的空间。尤为重要的是,作者将理论与中国近代印刷、出版状况有机结合,...  

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for research...so so...

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当时只有中文系资料室有。请中文系的叶居士帮我借出来的,复印了一本。

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wish a nice trip and good news

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读着读着探究起三大印书馆的明争暗斗,多好的影视题材啊。清楚梳理一下”文化界”和capitalism,technology trasitions,本源谁也离不开谁。晚清的书籍普及度surprised me,还有cheap labour永远是为资本铺路的石子。想逛福州路。

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