More Than Night

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作者简介

詹姆斯•纳雷摩尔(James Naremore),印第安纳大学荣休校长教授(Emeritus Chancellor’s professor),专业领域包括英语文学、电影研究、跨文化交流。同所有的顶级影评人一样,纳雷摩尔的视野——对作为总体的文化,和作为特殊领域的电影——极其宽广。在过去的两年里,他为《电影季刊》(Film Quarterly)撰写长篇文章,专论他最喜欢的十部上年电影。

译者简介

徐展雄,毕业于广东外语外贸大学英文系,获华东师范大学中文系硕士学位,现为上海电视台外语频道《华人电影志》导演,还担任《环球银幕》《城市中国》《世界电影之窗》《文景》等杂志的撰稿人。

出版者:University of California Press
作者:James Naremore
出品人:
页数:0
译者:
出版时间:1998-10
价格:USD 17.95
装帧:Paperback
isbn号码:9780520212947
丛书系列:
图书标签:
  • James_Naremore 
  • 电影 
  • 黑色电影 
  • Noir 
  • 电影摄影 
  • genre 
  • film-studies 
  • 英语 
  •  
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"Film noir" evokes memories of stylish, cynical, black-and- white movies from the 1940s and 1950smelodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. In More Than Night, James Naremore discusses these pictures, but he also shows that the central term is more complex and paradoxical than we realize. Film noir refers both to an important cinematic legacy and to an idea we have projected onto the past. This lively, wide-ranging cultural history offers an original approach to the subject, as well as new production information and fresh commentary on scores of films, including such classics as Double Indemnity, The Third Man, and Out of the Past, and such "neo noirs" as Chinatown, Pulp Fiction, and Devil in a Blue Dress. Naremore discusses film noir as a term in criticism; as an expression of artistic modernism; as a symptom of Hollywood censorship and politics in the 1940s; as a market strategy; as an evolving style; as a cinema about races and nationalities; and as an idea that circulates across all the information technologies. Interdisciplinary in approach, this book has valuable things to say not only about film and television, but also about modern literature, the fine arts, and popular culture in general. In a field where much of what has been published is superficial and derivative, Naremore's work is certain to be received as a definitive treatment.

具体描述

读后感

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《黑色电影:历史、形式与风格》和詹姆斯•纳雷摩尔 乔纳森•罗森鲍姆 一 “中国人并不认为过去的事物有多重要,”大概十年前,张曼玉在接受一本法国杂志采访时说,“不管那是电影、遗产,甚至衣服或家具。在亚洲,没有任何东西会被保存...  

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喜欢鲍嘉,不是因为他抽烟或手插兜的姿态,也不是略显停滞的眼神,而是嘴角。鲍嘉的嘴角比较特别,据说是受过伤,闭合有点问题,给特写的时候,话多了会有少许的吐沫,不自觉地会往嘴里抿一下。这一抿,意味出来了,让鲍嘉外表的酷,变成了内里的俊俏。所以我很不理解有人说喜...  

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这本书才看了三章,读的有点费力,但不乏味,而且有种在暗巷中望着远处灯光夜行的乐趣。电影作为一门艺术,一种文化,该怎样严肃的分析理解,对这个问题,看这本书之前我一直很困惑。电影杂志上大部分文章,偏娱乐八卦煽情,硬一点的也是从国外翻译资料的堆砌,还有些文章针对...  

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我也说不清什么时候,就对黑色电影这一片种有了兴趣,从开始的无心喜欢,到后来专门寻找,看的黑色电影也很多了。什么叫“黑色电影”?我总是感觉无法定义,就如有人问你什么叫“摇滚”?或者进一步问什么叫“新金属”?什么叫“硬核”?真的是千般言语难以诉说,最好的...  

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用户评价

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film noir大拿

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film noir大拿

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The best interpretation for film noir.

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提纲挈领,蔚为大观。黑色电影集大成者,扛鼎之作。

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提纲挈领,蔚为大观。黑色电影集大成者,扛鼎之作。

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