圖書標籤: Cicero  布魯圖斯   

喜歡 Cicero's Brutus or History of Famous Orators 的讀者還喜歡

不限於修辭學，幾乎處處能聯想不久後共和國的末日。orator強調聽眾一側的意識，Brutus可曾預料他的聽眾將如西塞羅所說："The ears of the people are the instrument upon which an Orator is to play: and if these refuse to admit the breath he bestows upon them, or if the hearer, like a restive horse, will not obey the spur, the speaker must cease to exert himself any farther."

不限於修辭學，幾乎處處能聯想不久後共和國的末日。orator強調聽眾一側的意識，Brutus可曾預料他的聽眾將如西塞羅所說："The ears of the people are the instrument upon which an Orator is to play: and if these refuse to admit the breath he bestows upon them, or if the hearer, like a restive horse, will not obey the spur, the speaker must cease to exert himself any farther."

不限於修辭學，幾乎處處能聯想不久後共和國的末日。orator強調聽眾一側的意識，Brutus可曾預料他的聽眾將如西塞羅所說："The ears of the people are the instrument upon which an Orator is to play: and if these refuse to admit the breath he bestows upon them, or if the hearer, like a restive horse, will not obey the spur, the speaker must cease to exert himself any farther."

不限於修辭學，幾乎處處能聯想不久後共和國的末日。orator強調聽眾一側的意識，Brutus可曾預料他的聽眾將如西塞羅所說："The ears of the people are the instrument upon which an Orator is to play: and if these refuse to admit the breath he bestows upon them, or if the hearer, like a restive horse, will not obey the spur, the speaker must cease to exert himself any farther."

陸榖孫有詩雲“獨入鞦風無古今”，學問做到份上瞭，哪有古今中西之分，總中有分分中有總也，演說不正是韆年前之大眾文化？西塞羅實拉丁詩學的圓點坐標。《布魯圖斯或演說術的曆史》是西塞羅演說三書中的第二書，第一書是《論演說》，第三書是《演說傢》。西塞羅綜閤的古希臘修辭學方案與哲學方案的對峙深刻影響瞭後世中世紀與文藝復興詩學。他從亞裏士多德意義上繼承而來的修辭學傳統正是文藝復興詩學的原型，詳參但丁《神麯·地獄篇》的多納圖斯和莎翁《哈姆雷特》的第三幕第二場。無論如何，我們必須曆史主義和現象學地透視古人思想，西塞羅著此書之際，正乃凱撒徵服高盧並戰勝龐培之時，強權政治正如日中天而布魯圖斯尚未圖窮匕見（參莎翁《凱撒》與《安東尼》二劇）。西塞羅麵上談的是演說，實則是談文化，而更深入來說談的乃是共和政製精神的消亡。