A marked departure from Edith Wharton's usual ironic contemplation of the fashionable New York society to which she herself belonged, Ethan Frome is a sharply etched portrait of the simple inhabitants of a nineteenth-century New England village. The protagonist, Ethan Frome, is a man tormented by a passionate love for his ailing wife's young cousin. Trapped by the bonds of marriage and the fear of public condemnation, he is ultimately destroyed by that which offers him the greatest chance at happiness. Like The House of Mirth and many of Edith Wharton's other novels, Ethan Frome centers on the power of local convention to smother the growth of the individual. Written with stark simplicity, this powerful and tragic novel has long been considered one of Wharton's greatest works.
Kids will respond to the audio version of Ethan Frome, in the same way they have responded to the book. First, kids enjoy short fiction, and Marilyn Langbehn's fully voiced reading is short. Also kids like strong feelings, and what is stronger than Ethan's restrained fury at Zeena? Finally, kids are intrigued with irony and view with awe Ethan's twisted fate. Langbehn voices perfectly the carping, invidious Zeena. But in using her voice far below its natural range for Ethan, she weakens his characterization and the ironic effect. This, coupled with careless production editing, prevents full immersion in the text. This is a good audiobook but not a great one. P.E.F.
Tragic novel by Edith Wharton, published in 1911. Wharton's original style and her use of hard-edged irony and the flashback technique set Ethan Frome apart from the work of her contemporaries. The main characters are Ethan Frome, his wife Zenobia, called Zeena, and her young cousin Mattie Silver. Frome and Zeena marry after she nurses his mother in her last illness. Although Frome seems ambitious and intelligent, Zeena holds him back. When her young cousin Mattie comes to stay on their New England farm, Frome falls in love with her. But the social conventions of the day doom their love and their hopes. The story forcefully conveys Wharton's abhorrence of society's unbending standards of loyalty. Written while Wharton lived in France but before her divorce (1913), Ethan Frome became one of the best known and most popular of her works.
The setting for this piercing New England novel is the aptly named Starkfield, where, despite violently blue skies, the chill of cold and snow seems to have settled in the hearts of its inhabitants. Tethered to his farm, first by helpless parents, later by his querulous, hypochondriac wife Zeena, Ethan Frome ekes out a living. Then Zeena’s cousin, the impoverished and enchanting Mattie Silver, comes to work for them, and Ethan’s hopes and dreams are rekindled. Yet theirs is a forbidden love, constrained by Zeena’s presence. And the impossible intensity in which the three exist will have devastating consequences for all.
America's most famous woman of letters, and the first woman to win the Pulitzer Prize, Edith Wharton was born into one of the last "leisured class" families in New York City, as she put it, in 1862. Educated privately, she was married to Edward Wharton in 1885, and for the next few years, they spent their time in the high society of Newport (Rhode Island), then Lenox (Massachusetts) and Europe. It was in Europe that Wharton first met Henry James, who was to have a profound and lasting influence on her life and work. Wharton's first published book was a work of nonfiction, in collaboration with Ogden Codman, The Decoration of Houses (1897), but from early on, her marriage had been a source of distress, and she was advised by her doctor to write fiction to relieve her nervous tension. Wharton's first short stories appeared in Scribner's Magazine, and though she published several volumes of fiction around the turn of the century, including The Greater Inclination (1899), The Touchstone (1900), Crucial Instances (1901), The Valley of Decision (1902), Sanctuary (1903), and The Descent of Man and Other Stories (1904), it wasn't until 1905, with the publication of the bestselling The House of Mirth, that she was recognized as one of the most important novelists of her time for her keen social insight and subtle sense of satire. In 1906, Wharton visited Paris, which inspired Madame de Treymes (1907), and made her home there in 1907, finally divorcing her husband in 1912. The years before the outbreak of World War I represent the core of her artistic achievement, when Ethan Frome (1911), The Reef (1912), and The Custom of the Country (1913) were published. During the war, she remained in France organizing relief for Belgian refugees, for which she was later awarded the Legion of Honor. She also wrote two novels about the war, The Marne (1918) and A Son at the Front (1923), and continued, in France, to write about New England and the Newport society she had known so well in Summer (1917), the companion to Ethan Frome, and The Age of Innocence (1920), for which she won the Pulitzer Prize. Wharton died in France in 1937. Her other works include Old New York (1924), The Mother's Recompense (1925), The Writing of Fiction (1925), The Children (1928), Hudson River Bracketed (1929), and her autobiography, A Backward Glance (1934).
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《伊森·弗洛姆》中关于“家”的概念,给我留下了极为深刻的印象。在伊森身上,家既是温暖的港湾,也是冰冷的牢笼。他对那个破旧农舍的依恋,源于他对过去美好时光的回忆,以及对亲情的责任。然而,随着泽娜的病态和家庭的衰败,家逐渐变成了一个吞噬他所有希望和梦想的地方。 这种矛盾的感受,让我想到了许多人对于“家”的复杂情感。它是我们情感的归属,也是我们必须承担责任的起点。伊森渴望逃离这个带给他痛苦的家,但他又被无形的力量所牵绊,无法真正地割舍。这种对“家”的执念,最终成为了他悲剧命运的一部分。
评分《伊森·弗洛姆》让我对“希望”这个词有了更深的理解。在伊森的故事里,希望似乎是一种奢侈品,一种可遇而不可求的东西。当希望出现时,它往往伴随着巨大的风险和牺牲,而当它破灭时,留下的却是更深的绝望。 故事的结局,更是将这种对希望的残酷嘲讽推向了极致。伊森和马蒂尔达试图通过一场悲剧性的“滑雪”来寻找最后的解脱,然而,他们的努力换来的却是永恒的痛苦。这种对希望的绝望,让这部作品的悲剧色彩更加浓厚,也让我久久无法从那种沉重的氛围中走出来。
评分读完《伊森·弗洛姆》,我深刻体会到了“宿命”这个词在文学作品中的力量。爱迪丝·沃顿没有刻意去制造戏剧性的巧合,而是让人物的命运如同被精心编织的网,一点点地收紧,直至将他们完全笼罩。伊森的悲剧,并非源于某个单一的错误,而是由一连串的现实困境、性格弱点以及逃避责任所共同铸就。 这种对命运无力感的描绘,让我想到了古希腊悲剧。人物虽然有自己的意志,但最终却被一种更强大的力量所裹挟,走向了既定的结局。沃顿巧妙地通过对人物内心世界的细致描摹,来展现这种命运的沉重。伊森的犹豫不决,泽娜的病态固执,以及马蒂尔达的决绝,都是构成这悲剧命运的不可或缺的元素。
评分《伊森·弗洛姆》之所以能够在我心中留下如此深刻的印记,很大程度上是因为它所探讨的“留下来”与“离开”之间的永恒困境。伊森被束缚在那个小小的村庄,被家庭责任、贫困以及对未知世界的恐惧所限制,他渴望逃离,却又被无形的力量牢牢抓住。 这种选择的艰难,在任何时代、任何地方都具有普遍的意义。我们每个人在面对人生中的重大抉择时,都会面临类似的权衡。是选择安逸但可能扼杀梦想的熟悉环境,还是冒险踏入未知的领域?沃顿通过伊森的命运,深刻地展现了这种选择背后所付出的巨大代价,以及那些被压抑的渴望最终可能带来的毁灭性后果。
评分不得不说,《伊森·弗洛姆》中的女性角色,尤其是泽娜和马蒂尔达,都给我留下了非常鲜明的印象。她们各自代表了截然不同的生活方式和情感表达,并最终以一种极其惨烈的方式,成为了伊森悲剧的催化剂。 泽娜的病态和偏执,并非无缘无故。她长期的孤独、病痛以及对丈夫的占有欲,让她变得扭曲而充满攻击性。而马蒂尔达,则象征着一种纯粹而炽热的感情,一种对自由和幸福的渴望。她们之间的冲突,以及她们与伊森之间的微妙关系,构成了故事中最具张力的部分,也揭示了在极端环境下,人性的复杂和脆弱。
评分伊森·弗洛姆的悲剧,在我看来,很大程度上源于他缺乏决断和勇气。他内心深处对于改变现状的渴望是真实存在的,对自由和美好的憧憬也从未泯灭,然而,每一次关键的时刻,他都选择了退缩、妥协,或者被动地接受现实。这种犹豫不决,最终将他推向了更深的泥沼。 当马蒂尔达的出现,为他提供了一个改变命运的机会时,他却因为对泽娜的责任感和对未知未来的恐惧而错失了。而当他意识到自己真正的感情时,又因为时机已过和现实的残酷而无法挽回。这种“如果当时……就好了”的遗憾,贯穿了整个故事,也让伊森的形象更加令人同情,但也更加令人扼腕。
评分我不得不承认,《伊森·弗洛姆》并不是一本读起来轻松愉快的书。斯托姆河谷的寒冷、贫困以及人物身上散发出的绝望气息,都让我在阅读时感受到一种沉甸甸的压抑。然而,正是这种压抑,构成了小说独特的氛围,也让故事的悲剧力量得以充分释放。 沃顿对环境的描写极为细致,每一个细节都服务于营造那种封闭、压抑的氛围。从漫天飞雪的寒冬,到阴森破败的农舍,再到人物们单调乏味的生活,无一不透露着一种难以摆脱的宿命感。这种对环境的极致运用,使得斯托姆河谷不仅仅是一个背景,它本身就成为了故事中的一个重要角色,一个吞噬着人们梦想和希望的巨大阴影。
评分《伊森·弗洛姆》给我带来的震撼,不仅仅是情节的悲剧性,更是它对人物心理描摹的深刻。沃顿没有采用过多激烈的戏剧冲突来推动故事,而是通过伊森、泽娜和马蒂尔达之间微妙的互动,以及他们内心深处那些未曾说出口的情感,层层剥开人物的内心世界。这种细腻的刻画,让我能够真切地感受到伊森的挣扎、泽娜的怨怼以及马蒂尔达隐藏的激情。 尤其是在处理三人之间的情感纠葛时,沃顿展现出了惊人的洞察力。她并没有简单地将他们脸谱化,而是让每个人物都带着自己的复杂性和矛盾性。伊森的责任感与他对自由的渴望之间的撕扯,泽娜的病态占有欲背后隐藏的脆弱,以及马蒂尔达对幸福的追求所带来的冲击,都让这个故事充满了人性的真实感。这种对人物内心深处的挖掘,使得这部作品超越了单纯的爱情悲剧,成为了一部关于个体在社会束缚下生存困境的深刻反思。
评分《伊森·弗洛姆》这部作品,给我带来的最直观的感受便是其精湛的叙事技巧。爱迪丝·沃顿以一种极为克制而又充满张力的笔触,将一个发生在偏僻乡村的悲剧故事娓娓道来。她并没有一开始就抛出惊人的情节,而是通过层层铺垫,将读者一步步引入故事的核心,直至无法自拔。 叙事者(也就是那个来访者)的视角,起到了至关重要的作用。通过他的观察和转述,我们得以窥见伊森一家不为人知的过去,以及隐藏在平静表面下的暗流涌动。这种间接的叙述方式,反而增加了故事的神秘感和宿命感,让读者在拼凑真相的过程中,更能体会到人物命运的无奈。
评分读完《伊森·弗洛姆》,我最大的感受就是那种无处不在的压抑和一种近乎窒息的沉重。爱迪丝·沃顿笔下的斯托姆河谷,并非仅仅是地理上的一个偏远角落,它更像是一种精神上的囚笼,将书中的人物,尤其是伊森,死死地困在其中。那种因为贫困、家庭责任以及对乡村生活根深蒂固的依恋而产生的无力感,贯穿始终,让我在阅读过程中几度喘不过气来。 然而,正是这种极致的压抑,反而凸显了伊森内心深处那微弱却又顽强的渴望。他对艺术的追求,对更广阔世界的向往,在那个死寂的环境中显得尤为珍贵。每一次他沉浸在自己的木雕创作中,或者回想起学生时代的憧憬,都像是黑暗中的一道微光,让人看到了人性的韧性。这种渴望,与他最终不得不面对的现实形成了鲜明对比,也正是这种张力,使得故事如此引人入胜。
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