In the predawn gloom of a February day in 1994, two thieves entered the National Gallery in Oslo. They snatched one of the world's most famous paintings, Edvard Munch's <em>The Scream</em>, and fled with their $72 million trophy. The thieves made sure the world was watching: the Winter Olympics, in Lillehammer, began that same morning. Baffled and humiliated, the Norwegian police called on the world's greatest art detective, a half-English, half-American undercover cop named Charley Hill.</p>
In this rollicking narrative, Edward Dolnick takes us inside the art underworld. The trail leads high and low, and the cast ranges from titled aristocrats to thick-necked thugs. Lord Bath, resplendent in ponytail and velvet jacket, presides over a 9,000-acre estate. David Duddin, a 300-pound fence who once tried to sell a stolen Rembrandt, spins exuberant tales of his misdeeds. We meet Munch, too, a haunted misfit who spends his evenings drinking in the Black Piglet Café and his nights feverishly trying to capture in paint the visions in his head. The most compelling character of all is Charley Hill, an ex-soldier, a would-be priest, and a complicated mix of brilliance, foolhardiness, and charm. The hunt for <em>The Scream</em> will either cap his career and rescue one of the world's best-known paintings or end in a fiasco that will dog him forever.</p>
爱德华·多尔尼克曾为《波士顿环球报》、《大西洋月刊》、《时代杂志》等报纸杂志撰稿,并有《进入伟大的未知世界》以及《睡椅上的疯狂》等多部著作。
光听书名就够有趣的了,而且这还是一部严谨的纪实文学。 作者讲故事的能力一流棒,时而插叙时而倒叙,还用有趣的语言把每个人物的性格刻画的入木三分。 主人翁不用说了,一如我们所有警匪故事中的一样,非常聪明,富有个性。 只有盗匪跟我们一直被电视、电影、小说所引导的...
评分听起来很荒唐,博物馆的贵重展品竟然可以称为最容易偷盗的物品之一。有时候抢劫也行。博物馆的安保措施从来很差,保险买的也不足够。即便丢失了展品,由于要耗费太多的时间和金钱,进行太多的谋划,动用太多的人力,很多情况下警方搜寻也不积极。毕竟没有死人,很多展品丢失了...
评分看这个书名 真的很难想到 作者会花那么多笔墨去介绍(大)侦探 介绍大侦探也就罢了 还有他爹他娘他娘的娘他爹的爹。。。
评分这本书解释了好多艺术犯罪及破案的最基本独特之处。 1. 艺术犯罪的简单。博物馆是公共事业,经费短缺,博物馆保安力量脆弱而业余,况且博物馆的责任不是把价值最高的资产保存好,而是给尽可能多的人看到。在超大型的博物馆,很少人光顾的展室会很容易得手,比如卢浮宫。私人藏...
评分这本书我的评价是较差,但这个较差不是针对原著作者,因为他写的书究竟怎样其实我不知道,可以肯定的是翻译已经让这本书面目全非。 我看到评分很多人给四颗星,对此我感到十分困惑。 首先这本书的中文译名叫作《是名画总会被偷的》,然而这本书的前几章,乃至全书的一大半内...
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