Many people among them Henry James) have considered Balzac to be the greatest of all novelists. Eugenie Grandet, his spare, classical story of a girl whose life is blighted by her father's hysterical greed, goes a long way to justifying that opinion. One of the most magnificent of his tales of early nineteenth-century French provincial life, this novel is the work of a writer on whom nothing was lost, and who represents most fully the ability of the human animal to understand and illuminate its own condition.
Translated By Ellen Marriage With An Introduction By Fredric R. Jameson
Fredric R. Jameson is William A. Lane, Jr. Professor of Comparative Literature at Duke University in North Carolina. His publications include Sartre: The Origins of a Style, Signatures of the Visible, and Post-modernism, or, The Cultural Logic of Late Capitalism, with Aesthetics of the Geopolitical forthcoming.
我们必须永远牢记,要做金钱的主人,决不做金钱的奴隶。 葛朗台是索漠城最大的财主,家财万贯,金银满屋。他有三个重要的身份:商人,丈夫,父亲,其中尤以第一个身份为主,他把99%的精力放在这上头。而后两种身份对他而言可有可无,更多的是履行一种法律上的义务,并且这让他...
評分巴尔扎克笔下有许多偏执狂,就如同他强迫症般地马不停蹄地写作。而他现实主义巨作《欧也妮•葛朗台》里的父亲葛朗台,便是一个嗜金如命,以拥有钱财为最大快乐的偏执狂。在阅读小说前两章的时候,我觉得葛朗台跟中国的一些节俭的老人没什么区别,也不至于惊世骇俗,但读...
評分(1833) R4 w/ Ian McKellen// treble recorder. 爺爺念popinjay語氣太可愛瞭//巴氏的人物不會成長,無論情勢如何變化。一個鄉下瑪麗蘇的養成也是匪夷所思
评分(1833) R4 w/ Ian McKellen// treble recorder. 爺爺念popinjay語氣太可愛瞭//巴氏的人物不會成長,無論情勢如何變化。一個鄉下瑪麗蘇的養成也是匪夷所思
评分(1833) R4 w/ Ian McKellen// treble recorder. 爺爺念popinjay語氣太可愛瞭//巴氏的人物不會成長,無論情勢如何變化。一個鄉下瑪麗蘇的養成也是匪夷所思
评分(1833) R4 w/ Ian McKellen// treble recorder. 爺爺念popinjay語氣太可愛瞭//巴氏的人物不會成長,無論情勢如何變化。一個鄉下瑪麗蘇的養成也是匪夷所思
评分(1833) R4 w/ Ian McKellen// treble recorder. 爺爺念popinjay語氣太可愛瞭//巴氏的人物不會成長,無論情勢如何變化。一個鄉下瑪麗蘇的養成也是匪夷所思
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