The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this book Mario Carpo discusses the communications media used by Western architects, from classical antiquity to modern classicism, showing how each medium related to specific forms of architectural thinking.<br /> <br /> Carpo highlights the significance of the invention of movable type and mechanically reproduced images. He argues that Renaissance architectural theory, particularly the system of the five architectural orders, was consciously developed in response to the formats and potential of the new printed media. Carpo contrasts architecture in the age of printing with what preceded it: Vitruvian theory and the manuscript format, oral transmission in the Middle Ages, and the fifteenth-century transition from script to print. He also suggests that the basic principles of "typographic" architecture thrived in the Western world as long as print remained our main information technology. The shift from printed to digital representations, he points out, will again alter the course of architecture.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
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评分信息技術，媒介與建築史
评分迴顧曆史，展望未來。也許各個時期建築師都在思考著未來的方嚮，以及當前適閤的，該做的以及可以做的，理論上或者實踐上的方式。現在我們迴頭望去的，相對清晰的，所謂的哥特也好，文藝復興也好，現代或者後現代也好，對於身處時代渦輪中的當時的建築師也好藝術傢也好，可能都沒有我們現在看的這清楚。這裏的清楚當然是非常相對的而言的。迴到最開始的八個字，因為這基本上也是作者，MARIO CARPO想通過這本書作齣的一個嘗試。
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评分信息技術，媒介與建築史
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