Transcultural Cinema pdf epub mobi txt 电子书 下载 2025
大衛．馬杜格
澳洲人，與其妻均為頗富盛名的民族誌影片導演。自1960年代開始著文探討「觀察式電影」與「參與式電影」的製作模式、攝影倫理、與被拍攝者之間的互動等等，影響人類學電影理論與實踐甚多。
- 人类学
- 艺术理论
- 影视人类学
- 电影
- visual-anthropology
- modernity
- anthropology
- Research
David MacDougall is a pivotal figure in the development of ethnographic cinema and visual anthropology. As a filmmaker, he has directed in Africa, Australia, India, and Europe. His prize-winning films (many made jointly with his wife, Judith MacDougall) include "The Wedding Camels", "Lorang's Way", "To Live with Herds", "A Wife among Wives", "Takeover", "PhotoWallahs", and "Tempus de Baristas". As a theorist, he articulates central issues in the relation of film to anthropology, and is one of the few documentary filmmakers who writes extensively on these concerns. The essays collected here address, for instance, the difference between films and written texts and between the position of the filmmaker and that of the anthropological writer. In fact, these works provide an overview of the history of visual anthropology, as well as commentaries on specific subjects, such as point-of-view and subjectivity, reflexivity, the use of subtitles, and the role of the cinema subject. Refreshingly free of jargon, each piece belongs very much to the tradition of the essay in its personal engagement with exploring difficult issues. The author ultimately disputes the view that ethnographic filmmaking is merely a visual form of anthropology, maintaining instead that it is a radical anthropological practice, which challenges many of the basic assumptions of the discipline of anthropology itself. Although influential among filmmakers and critics, some of these essays were published in small journals and have been until now difficult to find. The three longest pieces, including the title essay, are new.
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subtitling那章使我两眼放光，虽然这也是相对早期的讨论了。
评分似乎写得很不错也很有思想。阅读水平有限罢了。
评分subtitling那章使我两眼放光，虽然这也是相对早期的讨论了。
评分subtitling那章使我两眼放光，虽然这也是相对早期的讨论了。
评分似乎写得很不错也很有思想。阅读水平有限罢了。
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