具体描述
With this provocative and infinitely moving collection of essays, a preeminent critic of our time respond to the profound questions posed by the visual world. For when John Berger writes about Cubism, he writes not only of Braque, Leger, Picasso, and Gris, but of that incredible moment early in this century when the world converged around a marvelous sense of promise.
作者简介
John Berger was born in London in 1926. He is well known for his novels and stories as well as for his works of nonfiction, including several volumes of art criticism. His first novel, A Painter of Our Time, was published in 1958, and since then his books have included the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he lives in a small village in the French Alps.
目录信息
读后感
“我去过很多地方。我活过一些年头。”约翰·伯格他的一本随笔集中写道，“我把那些关于信守约定的故事编述一集。（未能赴约的情形，构成了另一个故事。）每段叙述都从一副图像开始，这些图像唤起了对相会之地的回忆……我希望，读者也会情不自禁地说：我以前来过这里……”这...
评分不喜欢这本书，相比较而言，我更喜欢他的那本《我们在这里相遇》，那本书真诚，这本书做作，书名就很做作，书中谈的明明大都是美术和观看的事情，偏偏冠以《讲故事的人》的名头，摆明了是想吊本雅明老师的膀子嘛，但德国鬼才本雅明的膀子岂是随便谁谁都能吊得上的吗？你至少要...
评分赋之以良心的紧迫性 顾文豪 刊于2009年12月5日《新京报》 苏珊·桑塔格极为推举伯格：“他为世间真正重要之事写作，而非随兴所至。在当代英语作家中，我奉他为翘楚；自劳伦斯以来，再无人像伯格这般关注感觉世界，并赋之以良心的紧迫性。”是的，“赋之以良心的紧迫性”，伯...
评分相较出版社对约翰·伯格无微不至的推介，关于这个住在法国乡间的英国老头书籍的评论可就显得相当不应景，数量少，“摆渡”兼程“谷歌”，也就三五篇。这些篇章开了以作家本人的言语来评论作家的先河，甚至段落之间的过渡性文字，也是对伯格文字的“匠心独运”，在这里，伯格既...
评分一则短评。 我是约翰·伯格的粉，喜欢的不仅那一本《理解一张照片》，还有这本《讲故事的人》，以及《观看之道》《我们在此相遇》《A致X》等。 这本《讲故事的人》，算是伯格致敬本雅明的同名之作，那是一篇被不断引述的名文，近乎不朽。伯格试图恢复本雅明辨认的一种讲故事的...
用户评价
Manhattan is the island reserved for those who are damned, for they have hoped excessively. 一年后我要是找不到工作我就念这句话装深沉好了hhhhh
评分Introduction to Visual Culture. Spring 2012. w/ Joanne Savio (from Tisch). we read The White Bird.
评分Manhattan is the island reserved for those who are damned, for they have hoped excessively. 一年后我要是找不到工作我就念这句话装深沉好了hhhhh
评分Introduction to Visual Culture. Spring 2012. w/ Joanne Savio (from Tisch). we read The White Bird.
评分Manhattan is the island reserved for those who are damned, for they have hoped excessively. 一年后我要是找不到工作我就念这句话装深沉好了hhhhh
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