Terry Brooks. David Eddings. George R. R. Martin. Robin Hobb. The top names in modern fantasy all acknowledge J. R. R. Tolkien as their role model, the author whose work inspired them to create their own epics. But what writers influenced Tolkien himself? Here, internationally recognized Tolkien expert Douglas A. Anderson has gathered the fiction of authors who sparked Tolkien’s imagination in a collection destined to become a classic in its own right.
Andrew Lang’s romantic swashbuckler, “The Story of Sigurd,” features magic rings, an enchanted sword, and a brave hero loved by two beautiful women— and cursed by a ferocious dragon. Tolkien read E. A. Wyke-Smith’s “The Marvelous Land of Snergs” to his children, delighting in these charming tales of a pixieish people “only slightly taller than the average table.” Also appearing in this collection is a never-before-published gem by David Lindsay, author of Voyage to Arcturus , a novel which Tolkien praised highly both as a thriller and as a work of philosophy, religion, and morals.
In stories packed with magical journeys, conflicted heroes, and terrible beasts, this extraordinary volume is one that no fan of fantasy or Tolkien should be without. These tales just might inspire a new generation of creative writers.
Tales Before Tolkien: 22 Magical Stories
“The Elves” by Ludwig Tieck
“The Golden Key” by George Macdonald
“Puss-Cat Mew” by E. H. Knatchbull-Hugessen
“The Griffin and the Minor Canon” by Frank R. Stockton
“The Demon Pope” by Richard Garnett
“The Story of Sigurd” by Andrew Lang
“The Folk of the Mountain Door” by William Morris
“Black Heart and White Heart” by H. Rider Haggard
“The Dragon Tamers” by E. Nesbit
“The Far Islands” by John Buchan
“The Drawn Arrow” by Clemence Housman
“The Enchanted Buffalo” by L. Frank Baum
“Chu-bu and Sheemish” by Lord Dunsany
“The Baumhoff Explosive” by William Hope Hodgson
“The Regent of the North” by Kenneth Morris
“The Coming of the Terror” by Arthur Machen
“The Elf Trap” by Francis Stevens
“The Thin Queen of Elfhame” by James Branch Cabell
“The Woman of the Wood” by A. Merritt
“Golithos the Ogre” by E. A. Wyke-Smith
“The Story of Alwina” by Austin Tappan Wright
“A Christmas Play” by David Lindsay
Once upon a time, fantasy writers were looked down upon by the literary mainstream as purveyors of mere escapism or, at best, bedtime tales fit only for children. Today fantasy novels stand atop the bestseller lists, while fantasy films smash box office records. Fantasy dominates the role-playing and computer gaming industries, and classic works in the genre are taught in schools and universities throughout the world. Credit for this amazing turnaround belongs to one man more than any other: John Ronald Reuel Tolkien, the beloved author of The Hobbit and The Lord of the Rings .
Terry Brooks. Robert Jordan. Terry Goodkind. George R.R. Martin. The top names in modern fantasy all acknowledge J.R.R. Tolkien as their model and master, the author whose work first fired their imaginations and inspired them to create their own epics. But what writers influenced Tolkien? Sir Isaac Newton once wrote, “If I have seen further, it is by standing on the shoulders of giants.” As with the scientific genius of Newton, so, too, with the literary genius of Tolkien. Now internationally recognized Tolkien expert Douglas A. Anderson has gathered the fiction of some of those giants together for the first time in a collection destined to become a classic in its own right.
In “The Golden Key,” the inspiration for Tolkien’s short story Smith of Wootton Major , George Macdonald tells the tale of a boy whose quest for the end of the rainbow leads beyond the borders of the world. Andrew Lang’s romantic swashbuckler, “The Story of Sigurd,” features magic rings, an enchanted sword, and a brave hero loved by two beautiful women—and cursed by an evil dragon. Tolkien read E.A. Wyke-Smith’s Marvelous Land of Snergs to his children, delighted with these charming tales of a pixieish people “only slightly taller than the average table.” Creatures with a fondness for human flesh are featured in Lord Dunsany’s “The Hoard of the Gibbelins,” in which Alderic, a knight, sets out to rob the evil, man-eating Gibbelins of their fabled treasure-trove.
In stories packed with magical journeys, conflicted heroes, and terrible beasts, this extraordinary volume is one that no fan of fantasy or Tolkien should be without. These tales just might inspire a new generation of creative writers.
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这本书的叙事节奏把握得简直是教科书级别的。它巧妙地在宏大叙事和微观个体情感之间进行了切换,让人在为国之大事揪心之时,也能为某个小人物的悲欢离合而动容。我发现自己会不自觉地停下来,反复琢磨某些对话的深层含义,那种言简意赅却掷地有声的力量,远超那些冗长的人物独白。它没有那种为了制造反转而反转的刻意感,所有的冲突和矛盾都源于人物性格的必然发展和环境的残酷制约。阅读过程中,我几次被作者那种近乎残忍的真实感所震撼——美好的事物总是在不经意间崩塌,而英雄的代价往往是常人难以想象的孤独。这种对“人性光芒”如何在“黑暗现实”中闪烁的细腻刻画,是我近年来在奇幻文学中少见的。它不是那种让你看完后感到轻松愉快的作品,更像是一场精神上的洗礼,让人在回味中不断审视自身的价值取舍。
评分这套书的魅力在于其对“未被讲述的历史”的成功构建。它没有直接描绘我们熟悉的那些经典神话或传说,而是开辟了一个全新的、但又仿佛根植于我们集体潜意识中的远古时代。作者对社会结构、等级制度以及权力更迭的理解非常深刻,使得故事的政治博弈部分也充满了张力。我特别欣赏它对“失败者”命运的处理,那些最终未能登上历史舞台的部族、被时间掩埋的理念,都在作者的笔下得到了应有的尊重和描绘。读到关于某一古老誓约的片段时,我甚至能感受到那种跨越千年的重量感,仿佛那些远去的战士的呼吸还残留在书页之间。这并非是一部简单的冒险故事,而更像是一部关于文明兴衰的严肃探讨,只是披上了一层迷人的神话外衣。
评分我对这部书的语言风格情有独钟,它有一种古雅的韵味,但绝非故作高深。作者仿佛从失落的吟游诗人那里继承了叙事的衣钵,每一个形容词、每一个动词的选择都恰到好处,带着一种无可替代的音乐感。很多场景的描绘,即便是最寻常的场景,也被赋予了一种近乎神圣的庄严感。例如,对黎明破晓时分山峦轮廓的描摹,寥寥数语,却构建出一个宏伟而又静谧的画面,那种文字的张力让人屏息凝神。更难能可贵的是,这种文风并未成为理解内容的障碍,反而像是一层精心编织的纱幔,让你更愿意去拨开它,探寻其后隐藏的深层寓意。这种阅读体验,让我感到自己不再是单纯的读者,而更像是一个在古籍中探寻真相的学者,充满了探索的乐趣。
评分我必须强调这本书在情感深度上的表现。它成功地避开了许多奇幻小说中常见的刻板印象和扁平化角色设定。书中的人物,即便是站在正义一方的角色,也充满了人性的弱点和矛盾,他们的光辉往往是在最深重的自我怀疑和外部压力下迸发出来的。这种真实感,使得读者更容易与角色建立起深刻的共情连接。有一段情节,关于一位巫师对失去记忆的追寻,那种对身份认同的渴望,那种在迷雾中摸索前行的无助,描绘得极其动人,让我联想到了许多现实生活中的困境。它提醒我们,即便在最宏大的背景下,个体的痛苦与追求依然是驱动故事前进的核心动力。总而言之,这是一部需要静下心来细细品味的佳作,它给予读者的回馈是丰厚且持久的。
评分这部作品的史诗感让我久久不能忘怀。它不像传统意义上的奇幻小说那样,堆砌着宏大的世界观和繁复的魔法体系,而是更注重于人性的挣扎与抉择。作者笔下的角色,无论是身负重任的领袖,还是底层挣扎的平民,他们的选择都带着一种宿命般的沉重。读到那些关于荣誉、背叛与救赎的篇章时,我仿佛能感受到空气中弥漫的硝烟与绝望,那种沉浸式的体验是极其难得的。特别是其中对古老信仰和失落文明的描绘,虽然没有直接点明,但字里行间透露出的那种对逝去辉煌的缅怀,让人心生敬畏。情节的推进如同缓慢流淌的河流,不急不躁,却蕴含着巨大的力量,每翻过一页,都感觉自己被拉入了一个更加深邃、更加古老的叙事维度之中。我尤其欣赏作者在细节上的打磨,那些关于生活习俗、服饰纹样的细微描写,无不彰显了其深厚的历史功底和对构建真实世界的热忱。
评分不懂得该怎么读这种小仙怪故事
评分不懂得该怎么读这种小仙怪故事
评分不懂得该怎么读这种小仙怪故事
评分不懂得该怎么读这种小仙怪故事
评分不懂得该怎么读这种小仙怪故事
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