Shevek, a brilliant physicist, decides to take action. he will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have isolated his planet of anarchists from the rest of the civilized universe. To do this dangerous task will mean giving up his family and possibly his life. Shevek must make the unprecedented journey to the utopian mother planet, Anarres, to challenge the complex structures of life and living, and ignite the fires of change.
Ursula K. Le Guin published twenty-two novels, eleven volumes of short stories, four collections of essays, twelve books for children, six volumes of poetry and four of translation, and has received many awards: Hugo, Nebula, National Book Award, PEN-Malamud, etc. Her recent publications include the novel Lavinia, an essay collection, Cheek by Jowl, and The Wild Girls. She lived in Portland, Oregon.
She was known for her treatment of gender (The Left Hand of Darkness, The Matter of Seggri), political systems (The Telling, The Dispossessed) and difference/otherness in any other form. Her interest in non-Western philosophies was reflected in works such as "Solitude" and The Telling but even more interesting are her imagined societies, often mixing traits extracted from her profound knowledge of anthropology acquired from growing up with her father, the famous anthropologist, Alfred Kroeber. The Hainish Cycle reflects the anthropologist's experience of immersing themselves in new strange cultures since most of their main characters and narrators (Le Guin favoured the first-person narration) are envoys from a humanitarian organization, the Ekumen, sent to investigate or ally themselves with the people of a different world and learn their ways.
前几天,和死宅团团长夫妇约饭,我到得早,便在附近一家西西弗书店闲逛。然后,这套书呢,就摆在书店进门的新书柜上,因为位置很好,我还颇有几分得意,便暗搓搓地猫在不远的地方偷偷留心,合计着数下,看一下午能卖掉几本。 于是呢,我就埋伏在新书柜旁边的畅销柜前,随手翻阅...
评分据说,我们如今进入了“后现代”。确实,在经历了上个世纪种种骇人的历史事件(两次世界大战、种族灭绝、希特勒的德国、斯大林的苏联等)之后,人们对于“理性”产生了深刻的怀疑,饱受创伤的世界已经变得警觉,任何一种自称发现了历史的终极真相和通往至善境界道路的动人...
评分其实科幻小说,不过是借科幻的壳,讲述对人类的过去、现在、未来的看法。既然自我会在叙述自我中陷入悖论,那就借一面镜子——外星文明来看自己吧。 《被剥夺的:一个不确定的乌托邦》(The Dispossessed:An Ambiguous Utopia) 一直都觉得不负责任的翻译者有谋财害命之嫌。...
评分 评分勒古恩在45岁时所写的《一无所有》(Dispossessed),令28岁的我心悦诚服。 它不像《黑暗的左手》(The Left Hand of Darkness)那么充满诗意,对社会制度和人性的探讨,更加哲理,也更为思辨。少年时代不能完全理解她的诗意,这就使得,即便去年重看了,也未能完全沉浸其中。...
一开始以为是影射美国和苏联的,真是太小看勒古恩了。是政体讨论寓言,也是科幻小说。关键词:wall, possess, dispossess, freedom, circle。有意思的是,作者是西方文化背景,对U星的批判毫不留情,而我在某主义实验过的地方长大,则对A星抱有深刻的怀疑。当然,U星和A星都是模型和浓缩,不能直接对应。不过我蛮喜欢男主的,他其实很难塑造,因为他是个真正自由的人,不为任何外物possess的人。希望他回去后没有被乱石砸死。在勒古恩的小说里可能不会,在现实中绝对会。神奇的是,我好像看懂了书里的物理学时空理论(其实并没有)。
评分反乌托邦
评分想起We里面的话——There's no final revolution. 总是有一些不那么好的人,每个人也都有不那么好的一面,所以我们才要不停的革命,不停的改变。
评分什么都讲了,什么又都讲的很浅。 简单来讲就是一个掌握了核心科技的苏联科学家投奔美国结果发现美国也不是好鸟思来想去最后把科技交给善良长寿的外星人请他们去分享给全宇宙再顺便把自己捎回家的故事。
评分科幻世界译文版200803
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