When the United States entered the Gilded Age after the Civil War, argues cultural historian Christopher Benfey, the nation lost its philosophical moorings and looked eastward to “Old Japan,” with its seemingly untouched indigenous culture, for balance and perspective. Japan, meanwhile, was trying to reinvent itself as a more cosmopolitan, modern state, ultimately transforming itself, in the course of twenty-five years, from a feudal backwater to an international power. This great wave of historical and cultural reciprocity between the two young nations, which intensified during the late 1800s, brought with it some larger-than-life personalities, as the lure of unknown foreign cultures prompted pilgrimages back and forth across the Pacific.

In The Great Wave , Benfey tells the story of the tightly knit group of nineteenth-century travelers—connoisseurs, collectors, and scientists—who dedicated themselves to exploring and preserving Old Japan. As Benfey writes, “A sense of urgency impelled them, for they were convinced—Darwinians that they were—that their quarry was on the verge of extinction.”

These travelers include Herman Melville, whose Pequod is “shadowed by hostile and mysterious Japan”; the historian Henry Adams and the artist John La Farge, who go to Japan on an art-collecting trip and find exotic adventures; Lafcadio Hearn, who marries a samurai’s daughter and becomes Japan’s preeminent spokesman in the West; Mabel Loomis Todd, the first woman to climb Mt. Fuji; Edward Sylvester Morse, who becomes the world’s leading expert on both Japanese marine life and Japanese architecture; the astronomer Percival Lowell, who spends ten years in the East and writes seminal works on Japanese culture before turning his restless attention to life on Mars; and President (and judo enthusiast) Theodore Roosevelt. As well, we learn of famous Easterners come West, including Kakuzo Okakura, whose The Book of Tea became a cult favorite, and Shuzo Kuki, a leading philosopher of his time, who studied with Heidegger and tutored Sartre.

Finally, as Benfey writes, his meditation on cultural identity “seeks to capture a shared mood in both the Gilded Age and the Meiji Era, amid superficial promise and prosperity, of an overmastering sense of precariousness and impending peril.”

From the Hardcover edition.

Christopher Benfey

Mellon Professor of English Interim Dean of Faculty, Mount Holyoke College

Specialization

Late nineteenth- and twentieth-century American literature; modern poetry; culture of the American South; connections between the United States and Asia; visual arts, craft traditions, and American culture; Emily Dickinson.

Christopher Benfey is Andrew W. Mellon Professor of English and Acting Dean of Faculty at Mount Holyoke, where he has taught since 1989. He was educated at the Putney School, Earlham College, Guilford College, and Harvard (from which he holds a Ph.D. in Comparative Literature). He has held fellowships from the Danforth Foundation, the Guggenheim Foundation, the National Endowment for the Humanities, and the American Council of Learned Societies. In 2012, Benfey was elected as a member of the American Academy of Arts and Sciences, one of the nation's most prestigious honorary societies.

A prolific journalist, Benfey served as the long-time art critic for the online magazine Slate, and is a frequent contributor to The New York Review of Books, The New York Times Book Review, and The New Republic, among many other publications.

A well known scholar of Emily Dickinson, Benfey is the author of four highly regarded books about the American Gilded Age. These include A Summer of Hummingbirds: Love, Art, and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade, which won both the 2009 Christian Gauss Award of Phi Beta Kappa and the Ambassador Book Award. He is also the author of The Double Life of Stephen Crane (1992); Degas in New Orleans (1997); and The Great Wave: Gilded Age Misfits, Japanese Eccentrics, and the Opening of Old Japan (2003). For the prestigious Library of America editions, Benfey has edited both The American Writings of Lafcadio Hearn and the complete poems of Stephen Crane. His edition of essays on the Iliad by Simone Weil and Rachel Bespaloff appeared as War and the Iliad (NYRB Classics, 2005).

Benfey's poems have appeared in The New Yorker, the Paris Review, and Ploughshares. His family memoir, Red Brick, Black Mountain, White Clay; Reflections on Art, Family, and Survival, is to be published in the spring of 2012 by Penguin. The book explores strands of Benfey’s family involving brick-making, pottery traditions in North Carolina, and the pioneering educational institution of Black Mountain College.

(from Mount Holyoke College faculty profile page: https://www.mtholyoke.edu/acad/facultyprofiles/christopher_benfey)