Richard Leppert is Samuel Russell Distinguished Professor of Humanities and Morse Alumni Distinguished Teaching Professor in the Department of Cultural Studies and Comparative Literature at the University of Minnesota. His previous books include Art and the Committed Eye: The Cultural Functions of Imagery (1996) and The Sight of Sound: Music, Representation, and the History of the Body (California, 1993).
Theodor W. Adorno (1903-1969), one of the principal figures associated with the Frankfurt School, wrote extensively on culture, modernity, aesthetics, literature, and - more than any other subject - music. To this day, Adorno remains the single most influential contributor to the development of qualitative musical sociology which, together with his nuanced intertextual readings of musical works, gives him broad claim as a continuing force in the study of music. This long-awaited collection of twenty-seven essays represents the full range of Adorno's music writing. Nearly half of the essays appear in English for the first time; all of the essays are fully annotated; and, the previously translated essays have been corrected and missing text restored, making this volume the definitive resource on Adorno's musical thought.
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有些重要篇章需要翻译。
评分有些重要篇章需要翻译。
评分很纳闷,音乐学院应该少有看这么艰涩理论的,而门外汉又因缺乏音乐素养,对他这一系列作品感到无奈。
评分很纳闷,音乐学院应该少有看这么艰涩理论的,而门外汉又因缺乏音乐素养,对他这一系列作品感到无奈。
评分有些重要篇章需要翻译。
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