The setting is an idyllic Alpine village where a woman's underwear factory nestles in the woods. Two factory workers, Brigitte and Paula, dream and talk about finding happiness, a comfortable home and a good man. They realize that their quest will be as hard as work at the factory. Brigitte subordinates her feelings and goes for Heinz, a young, plump, up-and-coming businessman. With Paula, feelings and dreams become confused. She gets pregnant by Erich, the forestry worker. He's handsome, so they marry. Brigitte gets it right. Paula gets it wrong. Using the conventions and language of romantic fiction, Elfriede Jelinek has written a moving tragedy whose power lies in its refusal to take at face value its characters' dreams and aspirations.
具体描述
读后感
逐爱的女人》写在1975年，相对她其他的作品还有一定的故事性。她总是把一个极其简洁的故事打碎了，扔到各种对细致细节的刻画中。用极端理性的方式把叙事割得七零八碎，彻底玩弄了一把期待看到一本老老实实小说的无辜读者。 并非吹捧，《逐爱的女人》的开头精彩得让人难以置...
评分两个“逐爱的女人”都是被欺骗者。这个作者的卓越之处在于她的精确和尖锐，并以此刺向一个由错误的幸福观支撑的世界。 ——《法拉克福评论报》 关于剧情 看完钢琴教师的电影，我没明白。看完钢琴教师的一篇评论，我大彻大悟了。随后...
评分我心中的女人是保持着自己优雅的，优美的，拥有的生活应该如王家卫眼中的镜头感是一样的，就是如水一样的生活。当我看完耶利内克的书之后我才会懂的这个世界上还有很多人甚至是大部分女人不是这样的，她们生活在一些角落里，肮脏，狡诈，为了自己的生活不息牺牲自己那所谓的爱...
评分E.M.福斯特在《小说面面观》认为中，'国王死了，不久王后也死去了'是故事，而'国王死了，不久王后因伤心而死'则是情节。在他看来，故事强调时间，而情节强调因果。但在耶利内克这里，以上说法都破碎了，她发展出的说法是：‘国王死了。王后死了。’故事的构架还在，但时间关系...
用户评价
Women's lives. Have they changed? Maybe now we've just been subjugated in different ways--to believe that we are free.
评分Women's lives. Have they changed? Maybe now we've just been subjugated in different ways--to believe that we are free.
评分Women's lives. Have they changed? Maybe now we've just been subjugated in different ways--to believe that we are free.
评分Women's lives. Have they changed? Maybe now we've just been subjugated in different ways--to believe that we are free.
评分Women's lives. Have they changed? Maybe now we've just been subjugated in different ways--to believe that we are free.
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