具体描述
Andrey Tarkovsky was the most important Russian filmmaker of the post-war era, and one of the world’s most renowned cinematic geniuses.
Tarkovsky’s films are characterized by metaphysical themes, extended takes, an absence of conventional dramatic structure and plot, and a dream-like, visionary style of cinematography. They achieve a spiritual intensity and transcendent beauty that many consider to be without parallel.
He directed the first five of his seven films – Ivan’s Childhood, Andrei Rublev, Solaris, Mirror and Stalker – in the Soviet Union, but in 1982 defected to Italy, where he made Nostalgia. His final film, The Sacrifice, was produced in Sweden in 1985.
This book presents extended sequences of stills from each of the films alongside synopses and cast and crew listings. It includes reflections on Tarkovsky’s work from fellow artists and writers including Jean-Paul Sartre and Ingmar Bergman, for whom Tarkovsky was ‘the greatest, the one who invented a new language.’
Extracts from Tarkovsky’s own writings and diaries offer a wealth of insights into his poetic and philosophical views on cinematography, which he described as ‘sculpting in time’. The book also reproduces many personal Polaroid photographs that confirm the extraordinary poetic vision of a great artist who died aged only 54, but who remains a potent influence on artists and filmmakers today.
作者简介
Andrey A. Tarkovsky is the director’s son.
Hans-Joachim Schlegel is a film historian and editor and translator of the writings of Sergei Eisenstein and Andrey Tarkovsky.
Lothar Schirmer is a renowned publisher based in Munic
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用户评价
不过大半本的盗版碟像素截图真是不够诚意
评分本书有一半电影渣画质截图，前面的书信文章还勉强看，惊喜在后面的家庭相簿和宝丽来以及尾声的照片。
评分好沉 能借出来真好。
评分剧照质量大家有目共睹。文章就感觉也没什么看头，除了塔自己写的那些，当然不包括从雕刻时光里面之间搬来的那好几页。至于后面的Polaroids和instant light一样让我无感，唯一能看的就是家庭照了欸
评分好沉 能借出来真好。
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