The development in the course of the 18th century of the "picturesque" landscape seemed to the experienced viewer either composed after a painting or designed to be the subject of one. In such landscapes natural features were exploited or rearranged, and might be enriched by classical, Chinese or otherwise exotic ornamental structures. The two key players were England and France. John Dixon Hunt further samples the picturesque garden's diffusion in Scandinavia, Russia, the German-speaking lands and Italy up to the 1840s.
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