 
			 
				評分
評分
評分
評分
ground-breaking work. 本書作於60年代,作者第一次提齣metatheatre概念,並以《哈姆雷特》作為範例解讀。Such plays have truth in them, not because they convince us of real occurrences or existing persons, but because they show the reality of dramatic imagination. All of them are theater pieces about life seen as already theatricalized .
评分ground-breaking work. 本書作於60年代,作者第一次提齣metatheatre概念,並以《哈姆雷特》作為範例解讀。Such plays have truth in them, not because they convince us of real occurrences or existing persons, but because they show the reality of dramatic imagination. All of them are theater pieces about life seen as already theatricalized .
评分為改論文重讀一遍。Lionel Abel的開創性在於區彆開metatheatre和play-within-a-play。後者是theatrical device;在metatheatre中,角色深知自身的虛構性,事件是人為(劇作傢、劇中角色閤力)主導甚至即興創作的。Metatheatre forces us to wonder. "The playwright who ventures to touch us very deeply ought to know that he is touching a part of us which is irrelevant to the achievement of our most rational goals."
评分ground-breaking work. 本書作於60年代,作者第一次提齣metatheatre概念,並以《哈姆雷特》作為範例解讀。Such plays have truth in them, not because they convince us of real occurrences or existing persons, but because they show the reality of dramatic imagination. All of them are theater pieces about life seen as already theatricalized .
评分Metaplay: 1. Characters who have self-consciousness participate in their own dramatisation (the world is a stage) Hamlet has playwright consciousness 2. Fantasy is essential, it is the heart of reality (life is a dream)
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