Twenty-eight-year-old Nao Brown, who’s hafu (half Japanese, half English), is not well. She’s suffering from obsessive-compulsive disorder (OCD) and fighting violent urges to harm other people. But that’s not who she really wants to be. Nao has dreams. She wants to quiet her unruly mind; she wants to get her design and illustration career off the ground; and she wants to find love, perfect love.
Nao’s life continues to seesaw. Her boyfriend dumps her; a toy deal falls through. But she also meets Gregory, an interesting washing-machine repairman, and Ray, an art teacher at the Buddhist Center. She begins to draw and meditate to ease her mind and open her heart—and in doing so comes to a big realization: Life isn’t black-and-white after all . . . it’s much more like brown.
Praise for The Nao of Brown:
“Lushly rendered, passionately digressive” —The New York Times
“Dillon turns in a narrative tour de force, featuring a script that works in perfect concert with almost cinematic art reminiscent of Milo Manara, but with far more expressive characters. A triumph of comics for grownups, this is a must-read.” —Publishers Weekly, starred review
“The art in The Nao of Brown is absolutely gorgeous . . . An intense story about a young woman who fights as hard to get out of her own head as some superheroes fight to save the world.” —The Onion’s A.V. Club
“This was the best read I have had in a long time.” —Scott Stantis, cartoonist for the Chicago Tribune
“Dillon makes his grand return in what can only be described as a visual spectacle.” —The Beat
“Amazing artwork; a truly novelistic piece of storytelling, full of wisdom and compassion; and a book which is a beautiful artifact, a treat for those of a bibliophilic inclination.” —Comic Book Resources
“The battles are internal, but no less monumental for all of that. Such inner wars made Sandman a classic, and I have no doubt that Dillon’s graphic novel will likewise be regarded as a seminal work in comic art.” —The Houston Press Art Attack blog
“Psychologically complex and surprising.” —Paste Magazine
“It’s a masterpiece, and I really can’t recommend it enough.” —Comic Book Resources
“Penciled and watercolored by hand, the pages glow with a lush realism, even in their darkest moments. The ever present motif of red can either anchor or engulf the reader, but always provides a vibrant glimpse into Nao’s life.” —Asian Fortune News
Glyn Dillon’s comics illustrations have appeared in several works from Vertigo, including The Sandman. He has also worked as an artist, animator, and designer in film and television. He lives in London, England.
童年时,翻读的一册册《多啦A梦》漫画,至今还与我相伴。二十多年了,我依然是一个多啦A梦控——出租屋里贴满了每一部《多啦A梦》的电影海报,以及摆放着各式各样的多啦A梦周边用品。 哆啦A梦之于我,大于童年记忆这一意义,它是我心目中“陪伴”最好的代名词。漫画中的哆啦A梦...
评分 评分我们所有的知识都开始于感性,然后进入到知性,最后以理性告终。没有比理性更高的东西了。 ——康德 奈绪的脑内自成一个世界。 在这个精...
评分从拿到《The NAO of Brown》之初,就有点期待“要是能出中文版就好了”。一方面是英文真看不太懂,再是觉得好漫画,就应该被更多人看到。不过终归没报什么希望——这种题材不娱乐、作者不知名、情节口味“重”的非主流漫画,出中文版的概率几乎是没有的。 然后就被喜闻乐见地打...
评分初看这本书十分惊艳,枣红色的书脊页瞬间提升了不少档次。仔细研究封面,感觉很奇怪,明明是一个人,头的部位却是一个洗衣机,仔细看下档位部分,0-10的档位分别对应着不同的精神状态,显示时间的地方也不是时刻而是now,还有滚筒的配色就像一个深不可测的漩涡,这个封面让人费...
高潮部分的节奏快的让人停不下来以至于看完之后脑子里久久的在回想整本书的各个细节,细节方面很值得推敲,总的来说是一本很值得看的漫画,关于OCD的部分就有点呵呵- -
评分如今越来越喜欢这种以亚洲女性为角度写的故事。两性间的争吵也是。Chris
评分E.F
评分E.F
评分高潮部分的节奏快的让人停不下来以至于看完之后脑子里久久的在回想整本书的各个细节,细节方面很值得推敲,总的来说是一本很值得看的漫画,关于OCD的部分就有点呵呵- -
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