This is a revised, expanded, and updated edition of the highly successful Visual Culture . Like its predecessor, this new version is about visual literacy, exploring how meaning is both made and transmitted in an increasingly visual world. It is designed to introduce students and other interested readers to the analysis of all kinds of visual text, whether drawings, paintings, photographs, films, advertisements, television or new media forms. The book is illustrated with examples that range from medieval painting to contemporary advertising images, and is written in a lively and engaging style.
The first part of the book takes the reader through differing theoretical approaches to visual analysis, and includes chapters on iconology, form, art history, ideology, semiotics and hermeneutics. The second part shifts from a theoretical to a medium-based approach and comprises chapters on fine art, photography, film, television and new media. These chapters are connected by an underlying theme about the complex relationship between visual culture and reality.
New for the second edition are ten more theoretically advanced Key Debate sections, which conclude each chapter by provoking readers to set off and think for themselves. Prominent among the new provocateurs are Kant, Baudrillard, Althusser, Deleuze, Benjamin, and Foucault. New examples and illustrations have also been added, together with updated suggestions for further reading.
The book draws together seemingly diverse approaches, while ultimately arguing for a polysemic approach to visual analysis. Building on the success of the first edition, this new edition continues to provide an ideal introduction for students taking courses in visual culture and communications in a wide range of disciplines, including media and cultural studies, sociology, art and design.
理查德·豪厄尔斯,系英国利兹大学传播学院传播艺术专业教师。
说到底还是个教材,对于绘画、摄影、电影的阐释过于描述化,对人的情感和社会的影响等等,都没讲出来。 就是个入门吧。 比如文艺复兴后荷兰人画画为啥写实,中国水墨画为什么写意,后来摄影技术出来了,画画再牛逼也没照片更接近真实,那么,机械复制时代中人的审美心理和趣味...
评分1. 理查德豪厄尔斯的《视觉文化》比俺之前看的艺术入门书籍要抽象和艰涩的多,然而我却看的十分喜欢。 2. 比起那些聚焦艺术家个人风格的作品研究著作,理查德则透过更多维的思想脉络,让视觉艺术在符号学、解释学和意识形态的层面更具意义。很多观点浅尝辄止却又恰到好处。 3. ...
评分说到底还是个教材,对于绘画、摄影、电影的阐释过于描述化,对人的情感和社会的影响等等,都没讲出来。 就是个入门吧。 比如文艺复兴后荷兰人画画为啥写实,中国水墨画为什么写意,后来摄影技术出来了,画画再牛逼也没照片更接近真实,那么,机械复制时代中人的审美心理和趣味...
评分1.很多重要观点是引用,作者也说明了观点本身的问题……如果当作一本著名学术观点导读是很好的,比如符号学、图像学等等。2.但是书籍为了达到所谓的客观而过于的繁琐、啰嗦、呆板,以至于观点被大量无关信息淹没,而缺少重点。3.前面理论部分的102页比较不错,很多干货。4.后面...
评分1.很多重要观点是引用,作者也说明了观点本身的问题……如果当作一本著名学术观点导读是很好的,比如符号学、图像学等等。2.但是书籍为了达到所谓的客观而过于的繁琐、啰嗦、呆板,以至于观点被大量无关信息淹没,而缺少重点。3.前面理论部分的102页比较不错,很多干货。4.后面...
#A souvenir of my academic year.
评分篇目分类详实,和同类入门工具书相较,专业面、可读性和启发性都有了,当然深度有其局限,且在一些案例的选取和反向阐述上仍待提升。被各色冗杂视觉符号淹没多年,这才算开始系统性了解如何”观看”#纪念和Prof.Howells愉快共处的三个月
评分#A souvenir of my academic year.
评分#A souvenir of my academic year.
评分#A souvenir of my academic year.
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美书屋 版权所有